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BIBLIOGRAPHY & PUBLICATIONS

This page hosts a curated selection of the most relevant interviews, written contributions, curatorial texts and reviews of my projects and exhibitions. Whenever possible, each entry has been provided with a link to the original source or a PDF version of the document in question. Additional bibliographical resources can be found through the ‘Selected Works’ section of the website.  [Last update: October 2020]


[2020]

 

[ARTIST BOOK]

rs548049170_1_69869_TT
Edited by Vavarella, Emilio, Mele, Paolo and Claudio Zecchi.
MOUSSE Publishing: Milan, 2020. (ita-eng)

[BOOKPROJECT]

[BOOK CHAPTER]

Error, Ambiguity, Creativity: A Multidisciplinary Reader
Vavarella, Emilio. “On Counter-Mapping and Media-Flânerie: Artistic Strategies in the Age of Google Earth, Google Maps and Google Street View”
Book edited by Sita Popat and Sarah Whatley, Palgrave Macmillan, 2020 (eng).

[BOOK]

[INTERVIEW]

Doppiozero
“Glitch: la verità nell’errore. Conversazione con Emilio Vavarella”
Interview by Mauro Zanchi and Sara Benaglia, 5 July 2020. (ita)

[SOURCE | ARCHIVED | PDF]

[INTERVIEW]

ATP Diary
“Nuove ipotesi di realtà. Intervista con Emilio Vavarella (New hypotheses of reality: interview with Emilio Vavarella)”
Interview by Elena Bordignon, January 2020. (ita-eng)

[SOURCE | ARCHIVED | PDF]

[INTERVIEW / BOOK]

Metafotografia, Vol.2. Le mutazioni delle immagini
“Intervista 25: Emilio Vavarella”
Edited by Mauro Zanchi and Sara Benaglia (eds.) Skinnerbox, Jesi (Italy), 2020, pp. 112-117. (ita-eng).

[BOOK | PDF (ITA – no images) | ARCHIVED (ENG – no images)]

 

[PROJECT REVIEW]

ATP Diary
“MNEMOSCOPIO di Emilio Vavarella: un’installazione d’arte pubblica”
by Irene Angenica, March 2020. (ita)

[SOURCE | ARCHIVED | PDF | PROJECT]

[CRITICAL TEXT]

Artslife – Fotoromanzo
“Emilio Vavarella: arte, errori e tecnologia. Una costante messa in discussione”
by Andrea Tinterri, May 2020 (ita)

[SOURCE | ARCHIVED | PDF]

[PROJECT REVIEW]

ATP Diary
“rs548049170_1_69869_TT (The Other Shapes of Me) | Un progetto di Emilio Vavarella”
by Elena Bordignon, 10 July 2020. (ita-eng)

[SOURCE | ARCHIVED | PROJECT]

[INTERVIEW]

Exibart
“Digitale Off Limits: intervista a Emilio Vavarella”
Interview by Maria Chiara Wang, July 2020. (ita)

[SOURCE | ARCHIVED | PDF]

[ACADEMIC PAPER]

Filmische Moderne: 60 Fragmente
“What the Water Said, Nos. 1-3 (1998)” by Laura Frahm (Edited by Olivier Frahle et al.)
transcript, Bielefeg (Germany), 2019, pp. 315-322. (ger)

[BOOK | PROJECT]

 

[INTERVIEW]

Digicult
“Thought is my Main Medium. Interview with Emilio Vavarella | Il pensiero è il mio medium principale. Intervista con Emilio Vavarella”
by Giada Totaro, July 2020. (ita-eng)

[SOURCE (ita) | SOURCE (eng) | ARCHIVED]

[INTERVIEW]

Loosenart
“Glitch: The Truth in the Error. A Conversation with Emilio Vavarella”
by Sara Benaglia and Mauro Zanchi, August 2020. (eng)

[SOURCE (eng) | PDF | ARCHIVED]

[EXHIBITION REVIEW]

Artribune
“Emilio Vavarella in mostra nel Salento estremo”
by Lorenzo Madaro, August 2020. (ita)

[SOURCE (ita) | PROJECT (1) | PROJECT (2)]

[EXHIBITION REVIEW]

ATP Diary
“Dall’identità alle geografie artigianali: un progetto di Emilio Vavarella a Gagliano del Capo”
by Lorenzo Madaro, August 2020. (ita)

[SOURCE (ita) | ARCHIVED | PROJECT]

[EXHIBITION REVIEW]

Gli Stati Generali
“The Other Shapes of Me di Emilio Vavarella. Tecnologia e tradizione in Puglia”
by Zara Audiello, Septembre 2020. (ita)

[SOURCE (ita) | ARCHIVED | PROJECT]

 

[INTERVIEW]

Artribune
“Tessitura, memoria e tecnologia. Intervista a Emilio Vavarella”
by Cecilia Pavone, September 2020. (ita)

[SOURCE (ita) | ARCHIVED | PROJECT]

[INTERVIEW]

R+
“Intervju: Emilio Vavarella | Interview: Emilio Vavarella | Organ Vida”
by Tena Razumović Žmara, September 2020. (hrv-eng)

[SOURCE (hrv-eng) | ARCHIVED | PROJECT]

[CRITICAL TEXT]

EAI Endorsed Transactions on Creative Technologies (European Union Digital Library)
Costa, F: “To be or not to be – a data set. Art, technology and identity in the new informational order”
vol. 7, Issue 22, pp. 1638-48. (eng)

[PDF]

[BOOK CHAPTER]

Fasten Your Seatbelt. Arte, critica e contemporaneità
Biasini Selvaggi, Cesare. “Mondi alternativi e nuove tecnologie. L’ibridazione arte-scienza nell’era delle tecnologie immateriali dell’informazione”
Metronom Books (Modena, Italy), 2020, pp.15-72. (ita)

[PDF | PROJECT (1) | PROJECT (2)]

 


[2019]

 

[PROJECT REVIEW]

La Foresta. Itinerari nell’arte contemporanea
“Un impero è caduto”
Review of “Animal Cinema” by Andrea Tinterri, La Foresta n.1, Nuova Editrice Berti, 2019. (ita)

[PDF | PROJECT]

[INTERVIEW]

Juliet
“Emilio Vavarella – Interdisciplinarità artistica”
Interview by Emanuela Zanon, Magazine n. 192, apr/mag 2019. (ita)

[PDF | SOURCE]

[EXHIBITION REVIEW]

Afterimage: The Journal of Media Arts and Cultural Criticism
“Exhibition Review: All I Know Is What’s On The Internet”
by Harriet Riches, vol. 46 no. 1, March 2019, pp. 47-52. (eng)

[SOURCE]

[PRESS COVERAGE]

ATP Diary
“Ramdom a Gagliano del Capo, Lecce: fare e vivere di cultura e arte”
Interview by Elena Bordignon. 21 November 2019. (ita-eng)

[SOURCE]

[EXHIBITION REVIEW]

Art Monthly
“Low Form: Imaginaries and Visions in the Age of Artificial Intelligence’
by Agnieszka Gratza, Art Monthly 422: Dec-Jan 18-19. (eng)

[SOURCE]

[PROJECT REVIEW]

Artslife
“Arte e digitale: Alexa, facciamo un’opera”
October 2019. (ita)

[SOURCE | PROJECT]

[EXHIBITION REVIEW]

Artribune Magazine
“Low Form”
by Lorenzo Taiuti, print version, #47, Gennaio-Febbraio 2019. (ita)

[PROJECT REVIEW]

Balloon Projects
“Art+b=love(?)!”
by Anna Papale, 2019. (ita)

[SOURCE | PDF | PROJECT]

[PRESS COVERAGE]

CMP – Blog
“Emilio Vavarella awarded prestigious Italian Council award”
July 2019. (eng)

[SOURCE | PROJECT]

[INTERVIEW]

Dartema
“Amazon’s Cabinet of Curiosities: Intervista a Emilio Vavarella”
interview by Maria Chiara Wang, November 2019. (ita)

[SOURCE | ARCHIVED | PROJECT]

[INTERVIEW]

Exibart
“Non lasceremo l’intelligenza artificiale agli informatici”
Double interview by Federico Bomba to Salvatore Iaconesi and Emilio Vavarella. n.106, pp.66-67. (ita)

[PDF | PROJECT]

[EXHIBITION REVIEW]

FAD Magazine
“Low Form(s) when in Rome”
by Giulia Trojano, 2019. (eng)

[SOURCE]

[EXHIBITION REVIEW]

Il Corriere della Sera
“Al MAXXI di Roma la prima mostra sull’intelligenza artificiale”
by Giulia Cimpanelli, 2019 (ita)

[PRESS COVERAGE]

Il Manifesto – Alias
“Emilio Vavarella”
Print edition, 9 November 2019. (ita)

[PROJECT]

[PRESS COVERAGE]

Il Sole 24 Ore
“Chi ha vinto il bando Per Chi Crea”
by Francesca Guerisoli, July 2019. (ita)

[SOURCE]

[EXHIBITION REVIEW]

Il Sole 24 Ore
“La simulazione digitale dà vita al Simrealismo”
Printed version, by Luca De Biase, 2018. (ita)

[PROJECT REVIEW]

Man in Town
“Art Verona highlight: Amazon’s cabinet of curiosities di Emilio Vavarella”
by Lorenzo Sabatini. (ita)

[SOURCE | PROJECT]

[PROJECT REVIEW]

Popula
“The Faces of Google Street View”
by Sophie Haigney, 2019. (eng)

[SOURCE | ARCHIVED | PROJECT]

[EXHIBITION REVIEW]

Spectate
“Интернет животных. Спор вокруг (A conversation around Animal Internet)”
by Ivan Streltsov, November 2019. (rus)

[SOURCE]

[PROJECT REVIEW]

That’s Contemporary
“Emilio Vavarella”
interview by Gianluca Gramolazzi, October 2019. (ita)

[SOURCE | ARCHIVED | PROJECT]

[EXHIBITION REVIEW]

The New Scientist
“All I Know is What’s on the Internet review: The shocks don’t work”
print edition, by Lydia Nicholas, 2019 (eng)

[BA Thesis]

Leeds Art University – BA Photography
“What Can Machine Readable Photography Teach Us About Artificial Intelligence?”
by Thomas Griffiths, Advisor: Philip Welding, Leeds, UK, 2018/19. (eng)

[MA Thesis]

Università Cattolica del Sacro Cuore – Storia dell’arte
“L’uso dell’intelligenza artificiale nelle opere artistiche interattive”
by Alessandra Van Zwam, Milan, Italy. (ita)

[MA Thesis]

Accademia di Belle Arti Roma – Comunicazione e valorizzazione del patrimonio artistico
“New media art, blockchain e mercato” (titolo provvisorio)
by Eugenia de Francesco, Roma, Italy, 2019. (ita)

[PRESS COVERAGE]

Mousse Magazine

Low Form. Imaginaries and Visions in the Age of Artificial Intelligence at MAXXI, Rome”
2019. (ita)

[SOURCE]

 

[ACADEMIC PAPER]

Carnet recherche du LESA – Laboratoire d’Etudes en Sciences des Arts (EA 3274)
“Images en tr@nsit territoires et médiums”
by Arnaud, Jean, Damien Beyrouthy, Christine Buignet, Anna Guilló, Bruno Goosse, et al., Aix-Marseille Université, 2019. (fre)

[PDF | PROJECT]

[ACADEMIC PAPER]

Représentations, Mapping Mobility – Cartographies en mouvement
“Google Street View: Digital Mapping, Glitching and Social Documentary”
by Lisa FitzGerald, Université Grenoble Alpes, July 2019, pp. 95-107. (fre)

[PDF | PROJECT]

[ACADEMIC PAPER]

Politics of the Machines: Art / Conflict – Proceedings of POM Beirut 2019
“The deception of an infinite view – exploring machine vision in digital art”
by Linda Kronman 2019, PP. 70-77. (eng)

[PDF | PROJECT]


[2018]

 

[WRITTEN CONTRIBUTION]

Low Form. Imaginaries and Visions in the Age of Artificial Intelligence
Vavarella, Emilio. “What is it like for a computer bot to be a computer bot?” and “Visual Essay”
Catalogue of exhibition at MAXXI – Museo nazionale delle arti del XXI secolo, CURA Editions, 2018 (ita-eng).

[PDF PROJECT]

[WRITTEN CONTRIBUTION]

Robot Love: Can We Learn From Robots About Love?
Vavarella, Emilio. “Interview with a Drone”
Catalogue of exhibition at Niet Normaal Foundation, 2018 (eng).

[PDF PROJECT]

[WRITTEN CONTRIBUTION]

That’s IT! On the newest generation of artists in Italy and one meter eighty from the border
Vavarella, Emilio. “THE GOOGLE TRILOGY – COMPENDIUM: Or on the Rise of the Media-Flâneur”
Catalogue of exhibition at MAMbo – Museo di Arte Moderna di Bologna, 2018 (ita-eng).

[PDF | PROJECT]

[PRESS COVERAGE]

The Huffington Post (Italian Edition)
“Low Form, la mostra al Maxxi è un viaggio nell’immaginario surreale degli artisti di oggi”
2018 (ita)

[SOURCE | PROJECT]

[EXHIBITION REVIEW]

Frieze
“What Role Do Photographers Play in an Increasingly Automated Image Culture?”
by Hettie Judah. 2018 (eng)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

Challenging Corporealities: Reconfigurations between Materiality and Discursivity
Costa, Flavia. “Nuestros Datos, ¿Nosotros Mismos?” [“Our data, ourselves? Art, technology and subjectivity in the era of genetic surveillance and algorithmic governmentality”]
Book edited by Daniel López del Rincón, University of Barcelona Press, 2018 (spa).

[PDF | PROJECT(1) | PROJECT (2)]

[EXHIBITION REVIEW]

WIRED (UK Edition)
“These photos capture the invisible workers of the internet”
by Thomas McMullan, 2018 (eng)

[SOURCE | PROJECT]

[INTERVIEW]

Objects.
“Glitch, quando l’errore diventa arte. Intervista a Emilio Vavarella”
Interview by Maria Chiara Wang, 2018. (ita)
[PDF | SOURCE | ARCHIVED]

[PRESS COVERAGE]

Wired (Italian Edition)
“Low Form, l’arte al tempo dell’Ai in mostra al Maxxi”
2018 (ita)

[SOURCE]

[EXHIBITION REVIEW]

TK21 Le Revue
“Art Brussels 2018”
Reportage by Dominque Moulon, 2018 (eng).

[PROJECT REVIEW]

Il Sole24Ore (Postcinema).
Animal Cinema
Review by Simone Arcagni, 2018 (ita).

[SOURCE | PROJECT]

[MY CONTRIBUTION]

Am Strand: Bild und Text zur Zukunft
Vavarella, Emilio. “The Digital Skin Series and The Google Trilogy”
Winter 2017/18, n.2 (deu-eng).

[PDF | PROJECT(1) | PROJECT(2)]

[EXHIBITION REVIEW]

Atribune
“Low Form. Arte digitale in mostra al Maxxi di Roma”
November 2018. (ita)

[SOURCE]

[EXHIBITION REVIEW]

ATP Diary
“LOW FORM Imaginaries and Visions in the Age of Artificial Intelligence | MAXXI, Roma”
by Serena Schioppa, 2018 (ita)

[SOURCE]

[EXHIBITION REVIEW]

Il Manifesto
“L’arte esplora l’inconscio delle macchine”
by Andrea Capocci, 2018 (ita)

[SOURCE]

 

 

[MA THESIS]

“The influence of digital and robotic techniques on sculpture.” (Tentative title)
MA Thesis by Bram Rinkel, advisor: Ria de Boodt).
Royal Academy of Fine Arts, Antwerp, Belgium, 2018 (eng)

[EXHIBITION REVIEW]

Exibart
“Il volto dell’intelligenza artificiale”
by Cesare Biasini Selvaggi, 2018 (ita)

[SOURCE]

[EXHIBITION REVIEW]

Exibart
“L’opera d’arte nell’epoca dell’IA”
by Valentina Muzi, 2018 (ita)

[SOURCE]

[EXHIBITION REVIEW]

Il Corriere della Sera
“L’intelligenza artificiale in mostra”
2018 (ita)

[PRESS COVERAGE]

Il Sole24Ore (Nova) 
“L’intelligenza artificiale e l’algoritmo fanno scoccare la creatività”
2018. (ita)

 

 

[EXHIBITION REVIEW]

DOMUS
“Low Form. In mostra al MAXXI di Roma le relazioni tra arte e tecnologia”
by Marco Petroni, 2018. (ita-eng)

[SOURCE (ita) | SOURCE (eng) | PROJECT]

[EXHIBITION REVIEW]

Atribune
“Low Form. Arte digitale in mostra al Maxxi di Roma”
by Lorenzo Taiuti, 2018. (ita)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

D.A.T.
“Voci digitali per desideri reali: suono e soggettività nell’epoca delle macchine parlanti”
by Domenico Napolitano, D.A.T. #2, anno II, aprile 2018. (ita)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

Philosophy of Photography (Intellect)
“Chroma key dreams: Algorithmic visibility, fleshy images and scenes of recognition”
by Daniela Agostinho, vol. 9 (2), 2018, pp.131-155. (eng)

[PDF | PROJECT]

[ACADEMIC PAPER]

AusArt Journal for Research in Art
“Cómo desaparecer del mapa: un caso práctico de disidencia online”
by Sergio Luna and Yasmina Morán Conesa, vol.6, n.2, 2018, pp.9-21. (spa)

[PDF | PROJECT]


2017

 

[ARTIST BOOK]

“Animal Cinema: A World Remaking Cinema for Itself”
Published in collaboration with GALLLERIAPIÙ, Cambridge and Bologna
2017 (eng).

[PROJECT]

[ARTIST BOOK]

RE: Animation

Part of the “RE: Animation” project.
Artist book, Cambridge, 2017 (eng).
[PDF | ISSUU | PROJECT]

[CONTRIBUTION]

Visual Communication Quarterly
“Portfolio: The Digital Skin Series”
Edited by xtine burrough, Taylor & Francis, v.23, n.3, 2017. (eng)

[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

Technoculture (Unità di Ricerca sulle Tecnoculture, Università degli Studi di Napoli ‘L’Orientale’)
“Di cosa parlano i chatbot quando parlano fra loro?”
by Federica Timeto, 2017 (ita).

[SOURCE | ARCHIVED | PROJECT]

[CURATORIAL TEXT]

Curatorial text.
“RE-CAPTURE: Room(s) for Imperfection”
by Federica Patti, 2017 (ita-eng).

[EXHIBITION REVIEW]

Wall Street International Magazine. 
“Re-Capture. Room (s) for Imperfection. Solo show di Emilio Vavarella”
2017 (ita).

[SOURCE | ARCHIVED]

[INTERVIEW]

ATP DIARY
“Intervista con Emilio Vavarella”
By Irene Angenica, 2017 (ita)

[SOURCE | ARCHIVED]

[SOLO EXHIBITION REVIEW]

Juliet Art Magazine
“Emilio Vavarella: RE-CAPTURE: Room(s) for Imperfection”
2017 (ita-eng).

[SOURCE (ITA) | SOURCE (ENG) | ARCHIVED]

[ACADEMIC PAPER]

Studi Culturali (Il Mulino)
“La specie è un ossimoro.”
by Federica Timeto, 2017 (ita).

[SOLO EXHIBITION REVIEW]

Exibart
“Emilio Vavarella, Re-Capture- Room(s) For Imperfection”
2017 (ita).

[PDF]

[SOLO EXHIBITION REVIEW]

Artribune
“Errori e tecnologia: Emilio Vavarella a Bologna”
2017. (ita)

[SOURCE]

[PROJECT REVIEW]

Artribune
“Animal Cinema: quando dietro la telecamera non c’è l’occhio umano”
Review by Valerio Veneruso, 2017 (ita).

[SOURCE | PROJECT]

[PROJECT REVIEW]

Il Fatto Quotidiano
“Animal Cinema, quando cani, polipi, scimmie e orsi diventano registi di un film”
Review by Davide Turrini, 2017 (ita)

[SOURCE | PROJECT]

[PROJECT REVIEW]

Cinelapsus
“Animal Cinema di Emilio Vavarella”
Review by Marco Romagna, 2017 (ita)

[SOURCE| ARCHIVED | PROJECT]

[INTERVIEW]

Mise en Abyme
“Emilio Vavarella”
Interview by Mattia Pajé. 2017 (ita).

[CONTRIBUTION]

INTERARTIVE

“THE ITALIAN JOB: Original VS Copy”
Curatorial texts for “THE ITALIAN JOB n.2: An-Archiving Game” by Monica Bosaro and Emma Stanisic, n.75 Special Issue ‘Original VS Copy’, (Ed. by Lucila Vilela), 2015. (eng)

[SOURCE | PROJECT]

 

[PhD Dissertation]

Internet Explorer: The Creative Administration of Digital Geography
PhD dissertation by Sheridan Coleman
School of Humanities, Department of Art, Curtin University, 2017. (eng)

[PDFPROJECT]

[BA Thesis]

El Glitch art com a pràctica subversiva
BA Thesis in Art History by Cristina Llanas Sancho
Faculty of Geography and History, University of Barcelona, 2017. (cat)

[PDF]

[BA Thesis]

Holy Grail
BA Thesis in Media Culture, Photography by Eva-Teréz Gölin
Novia University of Applied Sciences, Jakobstad, 2017. (swe)

[PDF]

 


2016

 

[ACADEMIC PAPER]

Digital Creativity

Vavarella, Emilio. “Interview with the Drone: Experimenting with Post-Anthropocentric Art Practice”
Edited by Stanislav Roudavski, Special issue on Post-Anthropocentric Creativity, Routledge, vol.27. n.1. 2016 (eng).

[SOURCE | PROJECT]

[BOOK]

Behind the Smart World: Saving, Deleting and Resurfacing Data

Vavarella, Emilio. “THE GOOGLE TRILOGY: Or How To Play With Google Street View”
Book edited by Linda Kronman and Andreas Zingerle, AMRO Research Lab, Linz, Austria, 2016 (eng).

[PDF | PROJECT]

[CURATORIAL TEXT]

Official Catalogue
“Memorie: Arte, Immagini e Parole del Terremoto in Friuli”
Text by Andrea Bruciati, Skira Editore, 2016. (ita)

[PROJECT]

[INTERVIEW]

Museo Rimodificato: Art sine Scientia nihil est
“Emilio Vavarella: The Sicilian Family”
interview by Giulia Meloni for Antoni Muntadas Visual Arts Lab at Iuav University of Venice, 2016. (ita)

[PDF]

[PRESS COVERAGE]

Le Monde
“Avez-vous déjà vu les mutants de Google Street View?”
2016. (fra)

[PROJECT]

[PROJECT REVIEW]

Neural

“The Digital Skin Series: The Stranger in my Face”
Review of “The Digital Skin Series,” Vol. 55, centrefold, 2017. (eng)

[PDF | SOURCE | PROJECT]

[CRITICAL TEXT]

Areo
“Orizzonti Mobili”
by Carlo Sala, Speciale Cultura 6, n.52, 2016, pp.158-160 (ita)

[PDF | PROJECT]

[ACADEMIC PUBLICATION]

The New Aesthetic and Art: Constellations of the Postdigital
Book edited by Scott Contreras-Koterbay and Lukasz Mirocha
Institute of Network Cultures, 2016. (eng)

[SOURCE | PROJECT]

[CURATORIAL TEXT]

Exibart
“La meglio gioventù: Azioni”
by Andrea Bruciati, 2016. (ita)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

rsf rivista di studi di fotografia
“Earth e Street View Photography: esplorazioni e derive come brandelli della mappa sull’impero del codice”
by Sergio Giusti, Firenze University Press, n. 4, 2016, pp.68-86. (ita)

[PDF | PROJECT]


[2015]

 

[ARTIST BOOK]

fragments
Independent publication by Emilio Vavarella
NYC, US, 2015 (ita-eng)

[PDF | ISSUU | PROJECT]

[ACADEMIC PAPER]

CITARJournal – Journal of Science and Technology of the Arts


Vavarella, Emilio. “Art, Error and the Interstices of Power”
Edited by Jorge Cardoso, vol.7. n.2. December 2015 (eng).

[PDF | SOURCE]

[ARTIST BOOK]

MNEMODRONE – CHAPTER TWO

Part of the “MNEMODRONE” project, edited by Vavarella, Emilio and Daniel Belquer.
Independent publication developed for ISEA2015 – 21st International Symposium on Electronic Art, Disruption, NYC, 2015, US (eng).

[ISSUU | PROJECT]

[ARTIST BOOK]

MNEMODRONE – CHAPTER ONE

Part of the “MNEMODRONE” project, edited by Vavarella, Emilio and Daniel Belquer.
Independent publication developed for CultureHub, RE FEST: Art + Technology Festival, NYC, 2015, US (eng).

[ISSUU | PROJECT]

[INTERVIEW]

INTERALIA MAGAZINE
“On TRANSICONMORPHOSIS: an Interview with Emilio Vavarella and Fito Segrera”
2015. (eng)

[SOURCE | PROJECT]

[PROJECT REVIEW]

Artnoise

“Un’opera creata digitalmente con immagini di opere rubate…realmente”
Interview by Lucia Longhi to Monica Bosaro about “THE ITALIAN JOB N.2” 
2015. (ita)
[PDF | SOURCE | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“ITALIANS ON THE JOB: Inside and Outside an Anarchival Impulse”
Curatorial text for “THE ITALIAN JOB n.2: An-archiving Game” by Monica Bosaro, 2015. (eng)

[PDF | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“A Question of Stealing”
Curatorial text for “THE ITALIAN JOB n.2: An-archiving Game” by Emma Stanisic, 2015. (eng)

[PDF | PROJECT]

[INTERVIEW]

GAI Giovani Artisti Italiani: Diario Web

“Il Progetto. L’Invervista. Il Resoconto”
Interview by Valeria Lacarra, 2015. (ita)
[SOURCE | PROJECT]

 

[EXHIBITION CATALOGUE]

Re-Building the Future
“Emilio Vavarella and The Sicilian Family”
Official Catalogue, 2015. (ita-eng)

[PROJECT]

 

 

[EXHIBITION REVIEW]

The Japan Times
“18th Japan Media Arts Festival”
2015. (jap)

[PHD DISSERTATION]

NEW MEDIA ART EXPERIENCE: Media digitali, forme e contesti della produzione artistica contemporanea.
Doctoral Thesis in “Comunicazione e Nuove Tecnologie” by Paolo Mele, IULM University, Milan, Italy.
2014-15. (ita)

[EXHIBITION REVIEW]

KRITIKA
“Premio Francesco Fabbri per le Arti Contemporanee 2015”
2015. (ita)

[EXHIBITION CATALOGUE]

Data Improvisations
“MEMORYSCAPES”
Official catalogue VISAP’15, p.21. (eng)

[PROJECT]

[ACADEMIC PAPER]

Studia Etnologiczne i Antropologiczne
“Nadnaturalny horror w Google Street View. Estetyka niepokoju a obrazy ładu w przestrzeni miejskiej” (“Supernatural horror in Google Street View. Aesthetics of anxiety versus images of order in urban space”)
by Rafał Nahirny, 2015 (15), pp.65-80. (pol)

[PDF | PROJECT]


[2014]

 

[PROJECT REVIEW]

WIRED Japanese edition
“Enhanced Vision”
magazine, vol.13, September 2014. (jap)

[SOURCE | PROJECT]

[CRITICAL ESSAY]

ARTFORUM
“Fair Game. Martha Buskirk On Networked Photography and Copyright”
magazine, summer 2014, vol.52, no.10. (eng)

[SOURCE | PROJECT]

[WRITTEN CONTRIBUTION]

Leonardo, The Journal of the International Society of the Arts, Sciences and Technology
“TRANSICONMORPHOSIS”
MIT Press, vol.47, no.4, 2014. (eng)

[PDF]

[WRITTEN CONTRIBUTION]

Mnemoscape Magazine: The Anarchival Impulse
“SHOWCASE: Emilio Vavarella, The Sicilian Family”
Edited by Elisa Adami and Alessandra Ferrini, 
issue#1, 2014. (eng)

[ISSUU | PROJECT | SOURCE]

[EXHIBITION REVIEW]

Digital Creativity
Art Space: ACM SIGGRAPH Art Gallery 2014
Routledge, Volume 25Issue 4, 2014, pp.360-368. (eng)

[PROJECT]

 

 

[WRITTEN CONTRIBUTION]

A Linking Book

Vavarella, Emilio. “A Glitched Definition of Glitch”
Catalogue of exhibition at Fondazione Sandretto Re Rebaudengo, 2014, Turin, Italy (ita-eng).
[PDF | PROJECT]

[ARTIST BOOK]

asking about art

Independent publication edited by Vavarella, Emilio and Francesco Nordio.
Under the sponsorship of Iuav University of Venice, Italy, 2011-14. (ita)
[ISSUU]

[INTERVIEW]

EXIBART
Vavarella, Emilio. “Parola d’Artista”
2014. (ita)
[PDF | SOURCE | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“Italian Theory and The Art of Trolling”
Curatorial text for “THE ITALIAN JOB n.1: embarrassment party” by Lucrezia Calabrò Visconti, 2014. (eng)

[PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“embarrassment party”
Curatorial text for “THE ITALIAN JOB n.1: embarrassment party” by Marii Nyrop, 2014. (eng)

[PROJECT]

 

 

[PRESS COVERAGE]

la Repubblica

“Quando la tecnologia è imperfetta- le foto sbagliate di Google Street View”
Review of “Report a Problem,” 
2014. (ita)
[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

DIVA – Jorunal of The Society for Art and Science

“TRANSICONMORPHOSIS”
vol.36, 2014. (jap)

[PDF | PROJECT]

[PROJECT REVIEW]

MASHABLE

“Artist Finds Beauty in Google Street View Glitches”
Press coverage of “Report a Problem” by Laura Vitto, 
2014. (eng)
[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

MAGAZINE B

“Creators: Emilio Vavarella”
Review of “Report a Problem” by Daniel Bejar, 2014, n.28, p.97. (eng)

[PROJECT]

[PRESS COVERAGE]

Folha De S.Paulo


“Artista busca erros no Street View durante um ano e monta coletânea”
Press coverage of “Report a Problem,” 
2014. (bra)
[PDF | SOURCE | PROJECT]

 

 

[PRESS COVERAGE]

Courrier International – Le Monde

“Aux frontières du réel”
Press coverage of “Report a Problem,” 
January 2014. (fra)

[PDF | PROJECT]

[PRESS COVERAGE]

WIRED (Japanese Edition)

“Incredible Glitches from Google Street View”
Press coverage of “Report a Problem” by Mayumi Hirai, 2014. (jap)
[PDF | SOURCE | PROJECT]

[INTERVIEW]

Svenska Dagbladet
“Smileys kan dölja hur vi känner oss”
Interview by Jenny Danberg, 2014. (swe)
[PDF | PROJECT]

[INTERVIEW]

EXIBART
“Allons Enfant 5”
Interview by Andrea Bruciati, 2014. (ita)
[PDF | SOURCE]

[PROJECT PREVIEW]

INTERARTIVE
“Art & Copyright”
n.50. 2014. (eng)

[PROJECT]

 

 

[EXHIBITION CATALOGUE]

Official Catalogue
“18th Japan Media Arts Festival”
p.62, 2014. (jap-eng)

[PROJECT]

[CRITICAL TEXT]

INTERARTIVE
“The Wilderness in the Machine: Glitch and the Poetic of Error”
n.59 – Art, Politics, Technology, 2014. (eng)

[PDF | PROJECT]

[PRESS COVERAGE]

MASHABLE
“Evocative Artists Inspired by Google Street View”
2014. (eng)

[PDF | SOURCE | PROJECT]


[2013]

 

[PROJECT REVIEW]

WIRED
 (US Edition)

“These Glitches From Google Street View Are Worthy of an Art Gallery”
Review of “Report a Problem” by Kyle Vanhemert, 
2013. (eng)
[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

WIRED (Italian Edition)

“Street View, Google abbiamo un problema”
Review of “Report a Problem” by Simone Cosimi, 2013. (ita)
[PDF | SOURCE | PROJECT]

[CONTRIBUTION]

touch.my.prints
Vavarella, Emilio. “Behind the Picture”
Edited by Aaron Brumbelow, ISSUE02, online publication, p.13, 2013. (eng)

[CONTRIBUTION]

Photomediations Machine
“The Google Trilogy”
Press coverage, 
2013. (eng)
[PDF | SOURCE | PROJECT]

[CURATORIAL TEXT]

Celeste Network
“Error’s Charm – Lapsus Prize”
Critical text by Marinella Paderni, 2013. (ita-eng)

[PDF | SOURCE | PROJECT]

 

 

[PROJECT REVIEW]

Blanc Magazine
“Report a Problem”
2013. (eng)

[PROJECT]

[PRESS COVERAGE]

The Huffington Post
“Google Street View Glitches Become Beautiful Art”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PRESS COVERAGE]

The Huffington Post
“Emoji Art Reveals The Dark Side Of The Smiley Face”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PRESS COVERAGE]

The Verge
“Celebrating Emoji: Artists Get Physical with the Classic Smiley Face”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

Amusement
“The Google Trilogy, une Esthétique de l’Erreur Dèvoilée par Emilio Vavarella”
2013. (fra)

[PDF | PROJECT]

 

 

[PRESS COVERAGE]

Daily Mail
“Italian artist turns Google Street View glitches into masterpieces”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PRESS COVERAGE]

Rivista Studio
“Report a problem: la mostra dei glitch di Google Street View”
2013. (ita)

[PDF | SOURCE | PROJECT]

[CONTRIBUTION]

LAB magazine
“The Shape of Information When No One is Looking & Report a Problem”
n.6, online + print publication, 2013. (eng)

[PDF]

[PRESS COVERAGE]

WIRED
“7 Cute and Clever Art Pieces Made using Emoji”
2013. (eng)

[PDF | PROJECT]

[PRESS COVERAGE]

BuzzFeed
“12 Pieces Of Art That Will Change The Way You Look At Emojis”
2013. (eng)

[PDF | PROJECT]

 

 

[PRESS COVERAGE]

New York Daily News
“Emoticons are state of the art at new show staged by Eyebeam Art+Technology Center”
2013. (eng)

[PDF | PROJECT]


[2012]

 

[PRESS COVERAGE]

Flash Art
“Bevilacqua La Masa presenta la 96ma Collettiva Giovani Artisti e i Borsisti della 95ma Collettiva Giovani”
2012. (ita)

[PROJECT]

[PRESS COVERAGE]

laRepubblica D
“Giovani in mostra”
2012. (ita)

[PDF | PROJECT]

[PRESS COVERAGE]

Il Giornale dell’Arte
“Bevilacqua iperselettiva”
2012. (ita)

[PDF | SOURCE]

 

[EXHIBITION CATALOGUE]

Official Catalogue – 95ma Collettiva Giovani Artisti
“Emilio Vavarella”
pp.50-51, 2012. (ita)

[PROJECT]