NEWS
Do You Like Cyber? will be exhibited in Don’t Be Evil – Printemps Numérique curated by Gluon
KANAL – Centre Pompidou, Brussels, Belgium, 22-24 March 2019
THE CAPTCHA PROJECT exhibited at the Japan Media Arts Festival in Asuka Kashihara
Migrans, Nara, Japan, 18 February – 3 March 2019
Animal Cinema will be screened as part of the Richmond International Film and Music Festival
Richmond, Virginia, USA, 23-28 April 2019
Do You Like Cyber? exhibited in Low Form. Imaginaries and Visions in the Age of Artificial Intelligence, curated by Bartolomeo Pietromarchi
MAXXI – Museo Nazionale delle Arti del XXI Secolo, Rome, Italy 18 October – 24 February 2019 Extended: 24 March 2019
THE GOOGLE TRILOGY – 3. The Driver and the Cameras will be exhibited as part of All I Know is What’s on the Internet, curated by Katrina Sluis, Karen McQuaid and Sam Mercer
The Photographers’ Gallery. London, UK, 26 October 2018 – 24 February 2019
(Solo Exhibition) My work will be shown at Arte Fiera 2019 – Fotografia e Immagini in Movimento, with GALLLERIAPIÙ
Bologna, Italy, 1-4 February 2019
(Solo Exhibition) My work will be shown at Art Rotterdam 2019 – New Art, with GALLLERIAPIÙ
Rotterdam, Netherlands, 7-10 February 2019
Animal Cinema will be screened as part of FRONTDOC – International Documentary Film Festival
Aosta, Italy, 6-10 November 2018
My work will be shows at Artissima 2018 with GALLLERIAPIÙ, New Entries Section
Torino, Italy, 2-4 November 2018
Animal Cinema will be screened as part of the 5th International Motion Festival
Nicosia, Cyprus, 6-9 May 2019
Animal Cinema will be screened as part of the London Short Film Festival
London, UK, 11-20 January 2019
Animal Cinema will be screened as part of the Aesthetica Short Film Festival
York Theatre Royal, York, UK, 7-11 November 2018
Animal Cinema will be screened as part of the 33rd Fort Lauderdale International Film Festival
Cinema Paradiso, Florida, US, 2-18 November 2018
Do You Like Cyber? selected for Robot Love, curated by Ine Gervais
Niet Normaal Foundation, Eindhoven, Netherlands, 15 September – 2 December, 2018
Animal Cinema will be screened as part of the 12th Sydney Underground Film Festival
Factory Theatre, Sydney, Australia, 13-16 September 2018
Animal Cinema will be exhibited as part of the 21st Animatter [Media Art]
Victoria, BC, Canada, 11-21 October 2018
The Sicilian Family will be exhibited as part of As If, curated by Ziying Duan
Provisional Gallery, San Francisco, US, 6 July – 23 September 2018
Animal Cinema will be screened as part of the 19th Lucania Film Festival
Pisticci, Matera, 1-5 August 2018
Animal Cinema will be screened as part of the 21st Revelation – Perth International Film Festival
Perth, Australia, 5-18 July 2018
Animal Cinema will be screened as part of MOSS INDEX 1
Artists’ Television Access, San Francisco, US, 28 June 2018
Animal Cinema will be screened as part of 17th International Kansk Video Festival
Kansk, Siberia, Russia, 19-25 July 2018
THE GOOGLE TRILOGY – 1. Report a Problem exhibited as part of THAT’S IT!, curated by Lorenzo Balbi
MAMbo – Museo d’Arte Moderna di Bologna, Italy, 22 June – 1 November 2018
Animal Cinema will be screened as part of Cinema Perpetuum Mobile – International Short Film Festival
Minsk, Belarus, 28 April – 1 May, 2018
Animal Cinema will be screened as part of 17th Festival Internacional de la Imagen
Manizales, Colombia, 8 – 11 May, 2018
Animal Cinema will be screened as part of 48th USA Film Festival
Dallas, TX, 25-29 April 2018
Animal Cinema will be screened as part of 45th Athens International Film and Video Festival and will open the section Beautiful Beasts
Athens, OH, 9-15 April 2018
Invited to take part in the exhibition A Parallel World at MUFOCO – Museo di Fotografia Contemporanea, curated by Joan Fontcuberta
Triennale di Milano, Italy, 2019
The Digital Skin Series in the collective exhibition #LAYERS. Contemporary Art in the Digital Era, curated by Fabio Paris (LINK Art Center)
iMAL Center for Digital Cultures and Technology, Brussels, Belgium, 19 April – 26 May 2018
Animal Cinema will be screened as part of Images Film Festival
Toronto, Canada, 12-20 April 2018
Animal Cinema will be screened as part of the 27th Florida Film Festival and will open its section SUNSPOTS: NEW VISIONS OF THE AVANT-GARDE
Maitland, FL, US, 6-15 April 2018
Animal Cinema will open the screening series No Middle, No End, curated by Federica Patti
Laznia Center for Contemporary Art, Gdańsk, Poland, 22 February 2018
Animal Cinema will be screened as part of the 15th Oxford FIlm Festival and will open the Fest Forward Section
Oxford MI, US, 10 February 2018
Animal Cinema will be screened as part of the 35° Torino Film Festival and will open the section TFFdoc/non umano
Torino, Italy, 24 November and 1 December 2017
(Solo Exhibition) RE-CAPTURE: Room(s) for Imperfection, curated by Federica Patti – part of THE WRONG – New Digital Art Biennale
GALLLERIAPIÙ, Bologna, Italy, 18 November 2017 – 20 January 2018
Animal Cinema will be screened as part of the Official Selection of the 24th International St. Louis Film Festival
.ZACK – Kranzberg Art Foundation, St. Louis, US, 8 November 2017, 9:30pm
Do You Like Cyber? selected for #PostFuture curated by Elli-Anna Peristeraki,
ADAF – 13th Athens Digital Arts Festival, Athens, Greece, 17-21 May 2017
The Digital Skin Series selected for Leggere il Presente. Percezione del confine e ruolo dell’Altro nell’Europa di oggi, curated by l’art9
European Parliament, Brussels, Belgium, 06 June 2017
Do You like Cyber? selected for A&SM 3.0, The Sensorium, curated by Dean Todd and Mikey Georgeson
The University of East London, UK, 25 May 2017
DREAMSCAPES Analytica® will be exhibited at GALLERIA MOITRE
Triple Solo Exhibition with Irene Dionisio and Lavinia Raccanello, Turin, Italy, 17 Mar – 15 Apr 2017
The Digital Skin Series selected for ISEA2017 – 23rd International Symposium on Electronic Art + XVI Festival Internacional de la Imagen
Manizales, Colombia, 11-18 June 2017
Invited by Elena Giulia Abbiatici to present MNEMODRONE – CHAPTER SIX at Something Else, OFF Biennale Cairo 2017, head curator Simon Njami
Darb 1718 Contemporary Art Centre, Cairo, Egypt, 5 Nov – 21 Dec 2017
Do You Like Cyber? selected for 30th Stuttgarter Filmwinter – Festival of Expanded Media, curated by Wand 5
Kunstbezirk, Stuttgart, Germany, 19–30 January 2017
RE:Animation will be exhibited at the Harvard Art Museums – LightBox Gallery
Cambridge MA, US, 20-27 March 2017
THE GOOGLE TRILOGY – 1.Report a Problem selected for FLEFF 2016, Interface/Landscape, curated by Dale Hudson and Claudia Pederson
Online exhibition, Ithaca College, NY, US, from December 2016
TRANSICONMORPHOSIS selected for PLUNC 2016 – Digital Art and New Media Festival
Museu das Comunicações – Fundação Portuguesa das Comunicações, Lisbon, Portugal, September 29th – October 2nd 2016
My artwork “The Digital Skin Series” published in the peer-reviewed journal Visual Communication Quarterly
Edited by xtine burrough, Portfolio section and cover, Taylor & Francis, v.23,n.3, 2017. (eng)
Beginning a Phd in Film and Visual Studies and Critical Media Practice at Harvard University (from September 2016)
Department of Visual and Environmental Studies, Graduate School of Arts and Sciences, Cambridge MA, US
Winner of the 5th Edition of Premio ORA
Solo exhibition at Gallleriapiù, Bologna, Italy, 2017
I’ve received the Electronic Media and Film Finishing Funds to complete MEMORYSCAPES
Grant program administered by the New York State Council on the Arts (NYSCA) and the ARTS Council of the Southern Finger Lakes
My theoretical contribution “THE GOOGLE TRILOGY: Or How To Play With Google Street View” published in Behind the Smart World: Saving, Deleting and Resurfacing Data
Edited by Linda Kronman and Andreas Zingerle (servus.at), AMRO Research Lab, Linz, 2016. (eng)
Invited by Andrea Bruciati to produce a site-specific work for the section La Meglio Gioventù of the exhibition Memorie curated by Corrado Azzolini and Antonio Giusa
Villa Manin, Passariano di Codroipo (UD), Italy, 24 Apr – 3 Jul 2016
My paper “Interview with the Drone: Experimenting with Post-Anthropocentric Art Practice” published in the peer-reviewed journal Digital Creativity
Edited by Stanislav Roudavski, Special issue on Post-Anthropocentric Creativity, Routledge, 2016. (eng)
THE CAPTCHA PROJECT selected for ISEA2016 Hong Kong 香港, 22nd International Symposium on Electronic Art, Cultural R>evolution
Hong Kong,16–22 May 2016
My paper “Art, Error and the Interstices of Power” published in the peer-reviewed journal CITARJournal – Journal of Science and Technology of the Arts
Edited by Jorge Cardoso, vol.7. n.2. December 2015. (eng)
THE CAPTCHA PROJECT selected for 29th Stuttgarter Filmwinter – Festival of Expanded Media, Shape Shifters, curated by Wand 5
Theater Rampe, Kunstbezirk and Kunstraum 34, Stuttgart, Germany, 14–17 January 2016
Invited to exhibit Digital Pareidolia: A Personal Index of Facebook’s Erroneous Portraits at Heterotopia: Virtual Space Alterations, curated by Fernando Garibay
CCD – Centro de Cultura Digital, Mexico City, Mexico
Winner of the First Prize for Emerging Art of the Francesco Fabbri Prize for Contemporary Art, curated by Carlo Sala. Jury members: Andrea Bruciati, Martina Cavallarin, Stefano Coletto and Raffaele Gavarro.
Exhibition at the Francesco Fabbri Foundation, Villa Brandolini, Pieve di Soligo (TV), Italy, November 28th – December 20th 2015
Invited to participate with THE ITALIAN JOB – 2. An-Archiving Game at AMRO (Art Meets Radical Openess), Festival dedicated to Art, Hacktivism and Open Culture, curated by KairUs
Linz, Austria, 25-28 May 2016
THE ITALIAN JOB – 1.embarrassment party & 2.An-Archiving Game selected for THE WRONG, New Digital Art Biennale, Homeostasis Pavilion, curated by Julia Borges Araña and Guilherme Brandão
Online Exhibition, November 1st, 2015 – January 31st 2016
Invited to exhibit THE GOOGLE TRILOGY – 1.Report a Problem at Imagine the City, Street Views, curated by Gioula Papadopoulou
Cultural Center of Kalamata, (Greece), Oct 24 – Nov 1, 2015
Invited to exhibit THE CAPTCHA PROJECT at the 12th Media Art Biennale (BVAM), curated by Kubota Akihiro
Museo Nacional Bellas Artes, Santiago, (Chile), 08-25 October 2015
Selected as Researcher in Residence to work on MNEMODRONE – CHAPTER FIVE at Signal Culture
Owego, New York (US), January 28th – February 11th, 2016
Invited to present MNEMODRONE – CHAPTER FOUR at MINY Media Center by IFP, The Arbitrary Art of Numbers, curated by Hans Tammen
Brooklyn, NY, December 2015
Invited to exhibit THE SICILIAN FAMILY at REBUILDING THE FUTURE, curated by Marco Pierini in collaboration with Laura Barreca, Andrea Bruciati and Claudia Löffelholz
Ex Chiesa dei Cavalieri di Malta, Siracusa, (Italy), 10 October 2015 – 10 January 2016
THE GOOGLE TRILOGY – 1. REPORT A PROBLEM selected for Behind the Static, curated by Terry Coffey
Eyedrum Gallery, Atlanta GA, US, Spring 2016
MEMORYSCAPES selected for IEEE VISAP’15, Data Improvisations, curated by Angus Forbes,Fanny Chevalier and Daria Tsoupikova
LeRoy Neiman Center, School of the Art Institute of Chicago, US, 16-30 October 2015
MNEMODRONE CHAPTER THREE sarà realizzato con il sostegno del progetto DE.MO./MOVIN’UP I sessione 2015 / with the support of the project DE.MO./MOVIN’UP 1st session 2015. MOVIN’UP I sessione 2015. A cura di: MINISTERO DEI BENI E DELLE ATTIVITA’ CULTURALI E DEL TURISMO (Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane, Direzione Generale Spettacolo), e GAI – Associazione per il Circuito dei Giovani Artisti Italiani. Promoted by: Ministry of Cultural Heritage and Activities and Tourism (General Directorate for Contemporary Art and Architecture and Urban Suburbs, General Directorate for Performing Arts), and GAI – Association for the Circuit of the Young Italian Artists.
ISEA2015, Simon Fraser University, Vancouver (Canada), 14-19 August 2015
Invited by Carol Parkinson to present MEMORYSCAPES with a solo exhibition at the 5th NYEAF – New York Electronic Art Festival
Harvestworks, New York City (US), August 2015
MNEMODRONE – CHAPTER 3 selected for the main exhibition of ISEA2015 – 21st International Symposium on Electronic Art, Disruption, curated by Kate Armstrong and Malcolm Levy.
Simon Fraser University, Vancouver (Canada), 14-19 August 2015
THE GOOGLE TRILOGY – 1.Report a Problem selected for the exhibition Idea Chain, curated by Angus Forbes and Anil Camci, for the Expressive 2015 Symposium
Incubation Center of Koç University, Istanbul, (Turkey), 20-22 June 2015
My paper “Darwikinism: Between Trollism and Error” published in HZ Journal
N.20, June 2015, Fylkingen, Stockholm, Sweden. (eng)
THE GOOGLE TRILOGY selected for the exhibition #watch22, curated by Günter Minas
Bonifazius-Türme, Mainz, (Germany), 08 May-07 June 2015
THE GOOGLE TRILOGY selected for the Net Art section of Luoghi Comuni Festival
Altamura (BA), (Italy), May 2015
THE CAPTCHA PROJECT chosen as Jury Selection for the 18th Japan Media Arts Festival
National Art Center, Tokyo (Japan), 4-15 February 2015
Invited to exhibit THE ITALIAN JOB n.2 – An-Archiving Game at the WIDGET ART GALLERY curated by Monica Bosaro and Emma Stanisic
Online Exhibition, 17 December 2014 – 17 January 2015
MNEMODRONE – CHAPTER 2 selected for Refest, Media Arts Festival, curated by Billy Clark
+ Giving a talk for The Invisible View: Surveillance Technologies & the rest of us
CULTUREHUB, (New York), 21-23 November 2014
TRANSICONMORPHOSIS included in the ongoing project MEDinART, curated by Vasya Hatzi
Vesalius Continuum + Fabrica Vitae International Exhibition (Zakynthos, Greece), 4-8 September 2014
The Night of The Researcher (Athens, Greece), 16 October 2014
Andreas Vesalius 500th Birthday Symposium (Copenhagen), 18 september 2014
University of Ghent, 1 November 2014
Fabrica Vitae exhibition, St. Louis University + Emory University (Atlanta, USA), 26 February – 05 March 2015
My article “TRANSICONMORPHOSIS,” published in Leonardo, The Journal of the International Society of the Arts, Sciences and Technology, (MIT Press)
Sixth special issue. vol.47, no.4, 2014. (eng)
Vancouver, (Canada), 12-14 August 2014
THE GOOGLE TRILOGY selected for “WE. THE ENEMY” exhibition at EUROPEAN MEDIA ART FESTIVAL (EMAF), curated by Hermann Noering
Kunsthalle Osnabrück (Germany), 23 April – 25 May 2014
New York City (US), 9-12 October 2014
Médiathéque Léon Alègre Bagnols-sur-Cèze (France), 15 May – 3 June 2014
THE GOOGLE TRILOGY – 1. Report a Problem selected for CURRENTS 2014 – The Santa Fe International New Media Festival, curated by Parallel Studios
Santa Fe (US), 13 – 29 June 2014
My article about “The Sicilian Family” published in MNEMOSCAPE Magazine
Edited by Elisa Adami and Alessandra Ferrini, first issue, 2014, pp.160-165
DIGITAL PAREIDOLIA selected for BEEP BOOP BOP, curated by Leah Brown and Peter Symons
FATVillage FL (US), The Projects, 29 March – 26 April 2014
My project THE FAMILY RE-CODED was selected for Make Things Happen, a partecipatory project by Christine Wong Yap, exhibited at Social in Practice: The Art of Collaboration, curated by Deb Willis and Hank Willis Thomas
Nathan Cummings Foundation, 21 March – 15 October and NYU Tisch School of the Arts Department of Photography galleries, 15 October – 28 November 2014, (New York)
Online Residency Program, 2-28 February 2014
THE GOOGLE TRILOGY selected for SLINGSHOT 2014 – FESTIVAL OF MUSIC, ELECTRONIC ARTS AND TECH
Athens GA (US), 20-22 March 2014
THE GOOGLE TRILOGY – 1. Report a Problem + 3.The Driver and the Cameras featured in ECHO BACK. Figure di Interferenza curated by Stefano Coletto and Giulia Bini
Venice, (Italy), Jarach Gallery, 14 December 2013- 24 January 2014
TRANSICONMORPHOSIS selected for EMOJI Art & Design Show curated by Fred Benenson, Julia Kaganskiy, Mercedes Kraus, Zeshan Malik & Dale Kim, Zoe Salditch, Jenna Wortham, Will Zweigart and Kelly Reeves, Andrea Rosen & Lindsey Weber
New York, (USA), Eyebeam Art and Technology Center, 12-14 December 2013
Co-presentation of TRANSICONMORPHOSIS with fito_segrera
Parsons The New School for Design, New York (USA), 9 December 2013
Hildesheim, (Germany), Space for digital culture and Internet politics, 23-30 November 2013
A Glitched Definition of Glitch, featured in A Linking Book catalogue of exhibition A Linking Park, Curated by Marta Barbieri / Bruno Barsanti / Lucrezia Calabrò / Sara Dolfi Agostini / Alessandra Ferlito / Valeria Mancinelli / Chiara Nuzzi / Marta Papini / Stefania Rispoli / Gabriele Tosi; with contributions of: Riccardo Benassi, Alessandra Donati and Joseph Nechvatal
Turin, (Italy), Fondazione Sandretto Re Rebaudengo, 23 October – 26 January 2013
DIGITAL PAREIDOLIA selected for PRISM Break Up, Curated by Heather Dewey-Hagborg, Ramsey Nasser and Open Culture
New York, (USA), Eyebeam Art and Technology Center, 4-12 October 2013
THE GOOGLE TRILOGY – 1. Report a Problem and 3. The Driver and the Cameras selected for Autonomies, Curated by NAPON – Institute for flexible cultures and technologies
Novi Sad, (Serbia), Museum of Contemporary Art Vojvodina, 7-28 November 2013
San Francisco, outdoor urban exhibition + workshops, 11 to 13 October 2013
THE MONEY COMPLEX selected for MON3Y as an 3RRR0R | MON3Y.US, curated by Vasily Zaitsev
Online exhibition, MOUS310n.net, from 23 September 2013
Visual Knowledge Laboratory, Prof. Claire Tancons, Iuav University of Venice, (IT), 16 July 2013
Boston, (USA), Boston Cyberarts Gallery, 14 June to 27 July 2013
Dublin, (IR), RUA RED, 25 May to 13 July 2013
Furtherfield Gallery, London, UK, online archive, from June 2013
THE GOOGLE TRILOGY – 1.Report a Problem, curated by Tamara Lai
Wander Web TV, online video gallery, from June 2013
Venice, (IT), Site specific interactive installation: 25 June to 30 June 2013
THE SICILIAN FAMILY selected for Lapsus – Winner of Second Prize, Curated by Marinella Paderni, works selected by Elena Ceratti, Maritin Breindl and Silvio Wolf.
Florence, (IT), fsm gallery, Fondazione Studio Marangoni, 16 May to 15 June 2013
Ancona (IT), Mole Vanvitelliana, 6 June to 7 July 2013
Coimbra, (PT), UAVM Virtual Museum, 27 April to 6 July 2013
May 2013: New Website On Air!