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BELVEDERE RN-M-G-M/G-Clt UNI EN 13163:2013 will be presented in the Italian Pavilion at La Biennale di Venezia – 18th International Architecture Exhibition.

Spaziale: Everyone Belongs to Everyone Else, curated by Fosbury Architecture, Italian Pavilion – Biennale Architettura 2023, 20 May – 26 November 2023


BELVEDERE Pavillion will be presented at the Center for Contemporary Art Luigi Pecci.

 This project is part of the Italian Pavilion, curated by Fosbury Architecture, at La Biennale di Venezia – 18th International Architecture Exhibition. 

Center for Contemporary Art Luigi Pecci, Prato, Italy,  1 May – 26 November 2023


I have been selected as one of the 2023 Harvard Horizons Scholars with my interdisciplinary dissertation “Techniques and Technologies of Thought: A Short History of Media Models.”

Harvard Horizons Symposium, Sanders Theatre – Harvard University, 11 April 2023, 5pm and online. [VIDEO HERE]


I have been selected as the eight Artist in Residence of the Broad Institute of MIT and Harvard to further my work and research at the intersection of art and technology


Animal Cinema will be screened as part of The Camera of Nature: The Non-Human in Cinema, curated by James Lattimer

Museo Reina Sofia, Madrid, Spain, September-October 2023



Animal Cinema will be part of the exhibition Animal Instinct, curated by Federica Chiocchetti

MBAL – Musée des Beaux-Arts. Animal Instinct, curated by Federica Chiocchetti, Le Locle, Switzerland, October 13 2023 – 25 February 2024


Upcoming Solo Exhibition at Museo Civico Giovanni Fattori curated by Paolo Batoni.

Livorno, Italy, date TBD


My installation Do You Like Cyber? will be included in the exhibition Technofetishism: stories of lust and desire in the post-digital culture curated by Eirini Papakonstantinou

MOMus – Experimental Arts Center, Thessaloniki, Greece, date TBD


My installation RE: Animation will be exhibited in the digital solo exhibition Re: Animation / Reloaded, curated by Mattia Solari

Fondazione Imago Mundi, Treviso, Italy, date TBD


Genesis (The Other Shapes of Me) was shown as part of the exhibition Remediations, curated by Mahan Moalemi.

Smith Center – Harvard University, 20 March – 9 April 2023.

My new series AAS47692 (The Other Shape of Things), commissioned by Fondazione Zegna, was presented for the solo exhibition L’altra forma delle cose (AAS47692 / Picea Abies), curated by Ilaria Bonacossa

Casa Zegna, Trivero (BI), Italy, 22 May – May 2023

My film Animal Cinema will be screened online for Nouvelle Visions du Vivant: Animal Cinema

Jeu de Paume – PALM, Paris, France. Summer/Fall 2022

My film Genesis (The Other Shapes of Me) will be shown as part of Rencontres International Paris/Berlin.

New Cinema and Contemporary Art, Paris, France, 2 – 8 May 2022 and HKW – Haus der Kulturen der Welt, Berlin, Germany, 16 – 21 August 2022

The fourth installment of my Amazon’s Cabinet of Curiosities (Algorithmic Inquiry n.4) will be curated by Gianluca Ricco and exhibited at Museo Madre

Museo Madre, Naples, Italy,  27 June – 7 July 2022

Serving as Expert Advisor for SONY CSL Paris and MAXXI Museum Rome for the S+T+ARTS “Repairing the Present” program, supported by European Commission’s Directorate-General for Communications Networks, Content and Technology.

My new series Double Blind will be exhibited in Fotografia Italiana Contemporanea, curated by Luca Zuccala and Andrea Tinterri

Galleria Indice, Milan Italy, from 25 March –  24 April 2022

The third installment of my Amazon’s Cabinet of Curiosities (Algorithmic Inquiry n.3) will be exhibited in Tecnocene: Arti visive, tecnologie digitali, mondi possibili, curated by Into the Black Box

DAMSlab, Bologna, Italy, 23-28 April 2022

Solo exhibition THE ITALIAN JOB – Job n.3, Lazy Sunday curated by Elisabetta Modena and Sofia Pirandello

Casa degli Artisti, in collaboration with AN-ICON, Milan, 22-23 January 2022

My project THE OTHER SHAPE OF THINGS – 2. Datamorphosis will be exhibited at the Hermitage Museum as part of Cosmos and Chaos, curated by Elena Gubanova

Hermitage Museum, 13th Cyfest – Cyland International Media Art Festival, Saint Petersburg, Russia, 17-23 November 2021

Animal Cinema has been included in the group show Il rituale del serpente: artisti, simboli e trasformazioni curated by Viola Emaldi and Valentina Rossi

Convento di San Francesco, Italy, September 11th – December 8th, 2021


Several works from my series THE OTHER SHAPES OF ME have been included in the exhibition You and AI: Through the Algorithmic Lens, curated by Irini Mirena Papadimitriou and Valentino Catricalà

Maker Faire – European Edition, in collaboration with Onassis Foundation, Rome, Italy, 8-10 October 2021 

Mnemoscopio is included in the exhibition Home Sweet Home: Esplorazioni dell’Abitare, curated by Paolo Mele, Alessandra Pioselli, Davide Quadrio and Claudio Zecchi

Kora – Centro del Contemporaneo, Castrignano de’ Greci, Italy, from 23 July 2021

Winner of the Exibart Art Prize 2020

First edition, Rome, Italy, March 2021

Solo Exhibition at GALLLERIAPIÙ, curated by Ramdom

rs548049170_1_69869_TT (The Other Shapes of Me): Sourcecode, in collaboration with MAMbo – Museo d’Arte Moderna di Bologna, Italy, May 4th-September 8th 2021

Open air screening of Animal Cinema during Spazi Fest

Spazi Fotografici | Centro di fotografia e arti visive, Sarzana, Italy, 3-6 September 2021

My film Animal Cinema is included in the exhibition Image Stream, curated by Sara Benaglia and Mauro Zanchi

BACO, Bergamo, Italy, 03-18 July 2021

My photo 65/100 from THE GOOGLE TRILOGY – 1. Report a Problem is included in the Ghigi Collection exhibition, curated by Alessandro Zechini

Museo Licini, Grandi Collezioni: Collezioni Ghigi, March-June 2021

Solo exhibition rs548049170_1_69869_TT (The Other Shapes of Me): Errors, Limits and Malfunctions, curated by Ramdom and Arthub Asia

Modern Art Base, Shanghai, China, from the 22nd of January 2020 to the 28th of February 2021

My project rs548049170_1_69869_TT has been awarded the 2019 Italian Council grant promoted by MiBAC – Ministero per i Beni e le Attività Culturali (Ministry of Cultural Heritage and Activities). Selection commission: Federica Galloni (Director-General), Bartomeu Marí Ribas, Marco Scotini, Claudio Varagnoli, Angela Vettese.

Producer and curator: Ramdom (Italy); Cultural partners: Film Study Center, Harvard University (USA); Arthub Asia (China) and MAMbo – Museo d’Arte Moderna di Bologna

A documentation of Do You Like Cyber? was included in the retrospective exhibition A Story for the Future. Il primo decennio del MAXXI, curated by Hou Hanru

MAXXI- Museo nazionale delle arti del XXI secolo, Rome, Italy, from November 25, 2020.

rs548049170_1_69869_TT (The Other Shapes of Me): “Ideas, Hypotheses, Assumptions and Objects” curated by Ramdom

Gagliano del Capo, Italy, July 31 – September 13 2020

Animal Cinema has been selected as the special project for the XVI Giornata del Contemporaneo, organized by Amaci – Associazione dei Musei d’Arte Contemporanea Italiani

MAXXI- Museo nazionale delle arti del XXI secolo, Rome, Italy, December 5, 2020

Amazon’s Stravaganza: A Personal Index of Infinite Consumption will be exhibited at Hesitant Images, curated by Klara Petrović and Luja Šimunović

Museum of Contemporary Art – Zagreb, Zagreb, Croatia, 2 September – 4 October 2020

MNEMOSCOPIO in the exhibition Le stanze di Ramdom #2

Lastation, Gagliano del Capo, Italy, 27 October – 12 November 2020.

Animal Cinema will be included in the online exhibition Probabilities Around the Centre, curated by Rokolectiv

Rokolectiv Festival, Bucharest, Romania, October 2-10, 2020.

Amazon’s Cabinet of Curiosities – Algorithmic Enquiry n.2 will be exhibited at Riots Here We Are

Share Festival XV / Share Prize XIII, Turin, Italy, 17-20 September 2020

Animal Cinema will be screened as part of the collective exhibition for Metafotografia, curated by BACO (Mario Zanchi and Sara Benaglia)

Domus Magna / Palazzo della Misericordia, Bergamo, Italy, 19 September – 31 October 2020

Do You Like Cyber? will be exhibited at Futurological Congress

Transart Festival, Noi Techpark, Bolzano, Italy, 24-27 October 2020

Winner of SIAE – Per chi crea, promoted by MiBAC – Ministero per i Beni e le Attività Culturali (Ministry of Cultural Heritage and Activities).

Commission for MNEMOSCOPIO, a new installation produced and curated by Ramdom, Gagliano del Capo (LE), September-July 2020

Double Blind received a special mention at Premio Graziadei

Rome, Italy, Summer 2020

Do You Like Cyber? will be exhibited at Artissima 2019 for Artissima Telephone, curated by Vittoria Martini.

OGR – Officine Grandi Riparazioni, Turin, Italy, 1-3 November 2019

Animal Cinema will be exhibited at KhodynkaAnimal Internet, curated by Sasha Burenkov

Khodynka Municipal Gallery, Moscow, Russia, from October 15th.

Animal Cinema will be exhibited as part of Loop Festival 2019, Land(e)scape, curated by Aurélien Le Genissel

Museu de Ciències Naturals of Barcelona,  Barcelona, Spain, 12-14 November 2019

Winner of Premio Fattori Contemporaneo, promoted by Musei Civici di Livorno, Museo della Città – Luogo Pio Arte Contemporanea and Museo Giovanni Fattori. Jury: Andrea Bruciati, Daniele De Luigi, Francesca Baboni, Lorenzo Balbi, Matteo Bergamini, Paola Tognon, Stefano Taddei.

Solo exhibition at Museo Civico Giovanni Fattori, Livorno, Italy, 2020

Animal Cinema is among the Finalists of the Oaxaca Filmfest

Oaxaca, Mexico, 4-10 October 2019

During Art Verona 2019 I will present Amazon’s Cabinet of Curiosities (Algorithmic Enquiry n.1), a parallel event in collaboration with art+b=love(?), directed by Federico Bomba and Cesare Biasini Selvaggi.

Workshop with Giovani Imprenditori Confcommercio facilitated by Alessia Tripaldi and site-specific installation, Verona, Italy, 12-13 October 2019

Animal Cinema will be exhibited during Kyiv Biennial 2019 – The Black Cloud, curated by Visual Culture Research Center.

Kyiv, Ukraine, 11 October – 23 November 2019

Animal Cinema will be screened as part of the 29th Message to Man – IFF, The Screen Touches Back, curated by Alena Koroleva.

Saint Petersburg, Russia, 14-21 September 2019

The Digital Skin Series will be exhibited during the 10th edition of the Combat Prize

Museo Civico Giovanni Fattori, Villa Mimbelli, Livorno, Italy, 22 June – 13 July 2019

Do You Like Cyber? will be exhibited in Don’t Be Evil – Printemps Numérique curated by Gluon

KANAL – Centre Pompidou, Brussels, Belgium, 22-24 March 2019

THE CAPTCHA PROJECT exhibited at the Japan Media Arts Festival in Asuka Kashihara

Migrans, Nara, Japan, 18 February – 3 March 2019

Animal Cinema will be screened as part of the Richmond International Film and Music Festival

Richmond, Virginia, USA, 23-28 April 2019

Do You Like Cyber? exhibited in Low Form. Imaginaries and Visions in the Age of Artificial Intelligence, curated by Bartolomeo Pietromarchi

MAXXI – Museo Nazionale delle Arti del XXI Secolo, Rome, Italy  18 October – 24 February 2019 Extended: 24 March 2019

THE GOOGLE TRILOGY – 3. The Driver and the Cameras will be exhibited as part of All I Know is What’s on the Internet, curated by Katrina Sluis, Karen McQuaid and Sam Mercer

The Photographers’ Gallery. London, UK, 26 October 2018 – 24 February 2019

(Solo Exhibition) My work will be shown at Arte Fiera 2019 – Fotografia e Immagini in Movimento, with GALLLERIAPIÙ

Bologna, Italy, 1-4 February 2019

(Solo Exhibition) My work will be shown at Art Rotterdam 2019 – New Art, with GALLLERIAPIÙ

Rotterdam, Netherlands, 7-10 February 2019

Animal Cinema will be screened as part of FRONTDOC – International Documentary Film Festival

Aosta, Italy, 6-10 November 2018

My work will be shows at Artissima 2018  with GALLLERIAPIÙ, New Entries Section

Torino, Italy, 2-4 November 2018

Animal Cinema will be screened as part of the 5th International Motion Festival

Nicosia, Cyprus, 6-9 May 2019

Animal Cinema will be screened as part of the London Short Film Festival

London, UK, 11-20 January 2019

Animal Cinema will be screened as part of the Aesthetica Short Film Festival

York Theatre Royal, York, UK, 7-11 November 2018

Animal Cinema will be screened as part of the 33rd Fort Lauderdale International Film Festival

Cinema Paradiso, Florida, US, 2-18 November 2018

Do You Like Cyber? selected for Robot Love, curated by Ine Gervais

Niet Normaal Foundation, Eindhoven, Netherlands, 15 September – 2 December, 2018

Animal Cinema will be screened as part of the 12th Sydney Underground Film Festival

Factory Theatre, Sydney, Australia, 13-16 September 2018

Animal Cinema will be exhibited as part of the 21st Animatter [Media Art]

Victoria, BC, Canada, 11-21 October 2018

The Sicilian Family will be exhibited as part of As If, curated by Ziying Duan

Provisional Gallery, San Francisco, US,  6 July – 23 September 2018

Animal Cinema will be screened as part of the 19th Lucania Film Festival

Pisticci, Matera, 1-5 August 2018

Animal Cinema will be screened as part of the 21st Revelation – Perth International Film Festival

Perth, Australia, 5-18 July 2018

Animal Cinema will be screened as part of MOSS INDEX 1

Artists’ Television Access, San Francisco, US, 28 June 2018

Animal Cinema will be screened as part of 17th International Kansk Video Festival

Kansk, Siberia, Russia, 19-25 July 2018

THE GOOGLE TRILOGY – 1. Report a Problem exhibited as part of THAT’S IT!, curated by Lorenzo Balbi

MAMbo – Museo d’Arte Moderna di Bologna, Italy, 22 June – 1 November 2018

Animal Cinema will be screened as part of Cinema Perpetuum Mobile – International Short Film Festival

Minsk, Belarus, 28 April – 1 May, 2018

Animal Cinema will be screened as part of 17th Festival Internacional de la Imagen

Manizales, Colombia, 8 – 11 May, 2018

Animal Cinema will be screened as part of 48th USA Film Festival

Dallas, TX, 25-29 April 2018

Animal Cinema will be screened as part of 45th Athens International Film and Video Festival and will open the section Beautiful Beasts

Athens, OH, 9-15 April 2018

Invited to take part in the exhibition A Parallel World at MUFOCO – Museo di Fotografia Contemporanea, curated by Joan Fontcuberta

Triennale di Milano, Italy, 2019

The Digital Skin Series in the collective exhibition #LAYERS. Contemporary Art in the Digital Era, curated by Fabio Paris (LINK Art Center)

iMAL Center for Digital Cultures and Technology, Brussels, Belgium, 19 April – 26 May 2018

Animal Cinema will be screened as part of Images Film Festival

Toronto, Canada, 12-20 April 2018

Animal Cinema will be screened as part of the 27th Florida Film Festival and will open its section SUNSPOTS: NEW VISIONS OF THE AVANT-GARDE

Maitland, FL, US, 6-15 April 2018

Animal Cinema will open the screening series No Middle, No End, curated by Federica Patti

 Laznia Center for Contemporary Art, Gdańsk, Poland, 22 February 2018

Animal Cinema will be screened as part of the 15th Oxford FIlm Festival and will open the Fest Forward Section

Oxford MI, US, 10 February 2018

Animal Cinema will be screened as part of the 35° Torino Film Festival and will open the section TFFdoc/non umano

Torino, Italy, 24 November and 1 December 2017

(Solo Exhibition) RE-CAPTURE: Room(s) for Imperfection, curated by Federica Patti – part of THE WRONG – New Digital Art Biennale

GALLLERIAPIÙ, Bologna, Italy, 18 November 2017 – 20 January 2018

Animal Cinema will be screened as part of the Official Selection of the 24th International St. Louis Film Festival

.ZACK – Kranzberg Art Foundation, St. Louis, US, 8 November 2017, 9:30pm

Do You Like Cyber? selected for #PostFuture curated by Elli-Anna Peristeraki,

ADAF – 13th Athens Digital Arts Festival, Athens, Greece, 17-21 May 2017

The Digital Skin Series selected for Leggere il Presente. Percezione del confine e ruolo dell’Altro nell’Europa di oggi, curated by l’art9

European Parliament, Brussels, Belgium, 06 June 2017

Do You like Cyber? selected for A&SM 3.0, The Sensorium, curated by Dean Todd and Mikey Georgeson

The University of East London, UK, 25 May 2017

DREAMSCAPES Analytica® will be exhibited at GALLERIA MOITRE

Triple Solo Exhibition with Irene Dionisio and Lavinia Raccanello, Turin, Italy, 17 Mar – 15 Apr 2017

The Digital Skin Series selected for ISEA2017 – 23rd International Symposium on Electronic Art + XVI Festival Internacional de la Imagen

Manizales, Colombia, 11-18 June 2017

Invited by Elena Giulia Abbiatici to present MNEMODRONE – CHAPTER SIX at Something Else, OFF Biennale Cairo 2017, head curator Simon Njami

Darb 1718 Contemporary Art Centre, Cairo, Egypt, 5 Nov – 21 Dec 2017

Do You Like Cyber? selected for 30th Stuttgarter Filmwinter – Festival of Expanded Media, curated by Wand 5

Kunstbezirk, Stuttgart, Germany, 19–30 January 2017


RE:Animation will be exhibited at the Harvard Art Museums – LightBox Gallery

Cambridge MA, US, 20-27 March 2017


THE GOOGLE TRILOGY – 1.Report a Problem selected for FLEFF 2016, Interface/Landscape, curated by Dale Hudson and Claudia Pederson

Online exhibition, Ithaca College, NY, US, from December 2016

TRANSICONMORPHOSIS selected for PLUNC 2016 – Digital Art and New Media Festival

Museu das Comunicações – Fundação Portuguesa das Comunicações, Lisbon, Portugal, September 29th – October 2nd 2016


My artwork “The Digital Skin Series” published in the peer-reviewed journal Visual Communication Quarterly

Edited by xtine burrough, Portfolio section and cover, Taylor & Francis, v.23,n.3, 2017. (eng)


Beginning a Phd in Film and Visual Studies and Critical Media Practice at Harvard University (from September 2016)

Department of Visual and Environmental Studies, Graduate School of Arts and Sciences, Cambridge MA, US

Winner of the 5th Edition of Premio ORA

Solo exhibition at Gallleriapiù, Bologna, Italy, 2017


I’ve received the Electronic Media and Film Finishing Funds to complete MEMORYSCAPES

 Grant program administered by the New York State Council on the Arts (NYSCA) and the ARTS Council of the Southern Finger Lakes


My theoretical contribution “THE GOOGLE TRILOGY: Or How To Play With Google Street View” published in Behind the Smart World: Saving, Deleting and Resurfacing Data

Edited by Linda Kronman and Andreas Zingerle (, AMRO Research Lab, Linz, 2016. (eng)


Invited by Andrea Bruciati to produce a site-specific work for the section La Meglio Gioventù of the exhibition Memorie curated by Corrado Azzolini and Antonio Giusa

Villa Manin, Passariano di Codroipo (UD), Italy, 24 Apr – 3 Jul 2016

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My paper “Interview with the Drone: Experimenting with Post-Anthropocentric Art Practice” published in the peer-reviewed journal Digital Creativity

Edited by Stanislav Roudavski, Special issue on Post-Anthropocentric Creativity, Routledge, 2016. (eng)

digital creativity

THE CAPTCHA PROJECT selected for ISEA2016 Hong Kong 香港, 22nd International Symposium on Electronic Art, Cultural R>evolution

Hong Kong,16–22 May 2016


My paper “Art, Error and the Interstices of Power” published in the peer-reviewed journal CITARJournal – Journal of Science and Technology of the Arts

Edited by Jorge Cardoso, vol.7. n.2. December 2015. (eng)

Schermata 2015-09-23 alle 12.56.18

THE CAPTCHA PROJECT selected for 29th Stuttgarter Filmwinter – Festival of Expanded Media, Shape Shifters, curated by Wand 5

Theater Rampe, Kunstbezirk and Kunstraum 34, Stuttgart, Germany, 14–17 January 2016


Invited to exhibit Digital Pareidolia: A Personal Index of Facebook’s Erroneous Portraits at Heterotopia: Virtual Space Alterations, curated by Fernando Garibay

CCD – Centro de Cultura Digital, Mexico City, Mexico

CDC copy

Winner of the First Prize for Emerging Art of the Francesco Fabbri Prize for Contemporary Art, curated by Carlo Sala. Jury members: Andrea Bruciati, Martina Cavallarin, Stefano Coletto and Raffaele Gavarro.

Exhibition at the Francesco Fabbri Foundation, Villa Brandolini, Pieve di Soligo (TV), Italy, November 28th – December 20th 2015


Invited to participate with THE ITALIAN JOB – 2. An-Archiving Game at AMRO (Art Meets Radical Openess)Festival dedicated to Art, Hacktivism and Open Culture, curated by KairUs

Linz, Austria, 25-28 May 2016

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THE ITALIAN JOB – 1.embarrassment party & 2.An-Archiving Game selected for THE WRONG, New Digital Art Biennale, Homeostasis Pavilion, curated by Julia Borges Araña and Guilherme Brandão

Online Exhibition, November 1st, 2015 – January 31st 2016


Invited to exhibit THE GOOGLE TRILOGY – 1.Report a Problem at Imagine the City, Street Views, curated by Gioula Papadopoulou

Cultural Center of Kalamata, (Greece), Oct 24 – Nov 1, 2015


Invited to exhibit THE CAPTCHA PROJECT at the 12th Media Art Biennale (BVAM), curated by Kubota Akihiro

Museo Nacional Bellas Artes, Santiago, (Chile), 08-25 October 2015


Selected as Researcher in Residence to work on MNEMODRONE – CHAPTER FIVE at Signal Culture

Owego, New York (US), January 28th – February 11th, 2016

Invited to present MNEMODRONE – CHAPTER FOUR at MINY Media Center by IFP, The Arbitrary Art of Numbers, curated by Hans Tammen

Brooklyn, NY, December 2015


Invited to exhibit THE SICILIAN FAMILY at REBUILDING THE FUTURE, curated by Marco Pierini in collaboration with Laura Barreca, Andrea Bruciati and Claudia Löffelholz

Ex Chiesa dei Cavalieri di Malta, Siracusa, (Italy), 10 October 2015 – 10 January 2016

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THE GOOGLE TRILOGY – 1. REPORT A PROBLEM selected for Behind the Static, curated by Terry Coffey

Eyedrum Gallery, Atlanta GA, US, Spring 2016


MEMORYSCAPES selected for IEEE VISAP’15, Data Improvisations, curated by Angus Forbes,Fanny Chevalier and Daria Tsoupikova

LeRoy Neiman Center, School of the Art Institute of Chicago, US, 16-30 October 2015


MNEMODRONE CHAPTER THREE sarà realizzato con il sostegno del progetto DE.MO./MOVIN’UP I sessione 2015 / with the support of the project DE.MO./MOVIN’UP 1st session 2015. MOVIN’UP I sessione 2015. A cura di: MINISTERO DEI BENI E DELLE ATTIVITA’ CULTURALI E DEL TURISMO (Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane, Direzione Generale Spettacolo), e GAI – Associazione per il Circuito dei Giovani Artisti Italiani. Promoted by: Ministry of Cultural Heritage and Activities and Tourism (General Directorate for Contemporary Art and Architecture and Urban Suburbs, General Directorate for Performing Arts), and GAI – Association for the Circuit of the Young Italian Artists.

ISEA2015, Simon Fraser University, Vancouver (Canada), 14-19 August 2015

Invited by Carol Parkinson to present MEMORYSCAPES with a solo exhibition at the 5th NYEAF – New York Electronic Art Festival

Harvestworks, New York City (US), August 2015

MNEMODRONE – CHAPTER 3 selected for the main exhibition of ISEA2015 – 21st International Symposium on Electronic Art, Disruption, curated by Kate Armstrong and Malcolm Levy. 

Simon Fraser University, Vancouver (Canada), 14-19 August 2015


THE GOOGLE TRILOGY – 1.Report a Problem selected for the exhibition Idea Chain, curated by Angus Forbes and Anil Camci, for the Expressive 2015 Symposium

Incubation Center of Koç University, Istanbul, (Turkey), 20-22 June 2015

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My paper “Darwikinism: Between Trollism and Error” published in HZ Journal

N.20, June 2015, Fylkingen, Stockholm, Sweden. (eng)


THE GOOGLE TRILOGY selected for the exhibition #watch22, curated by Günter Minas

Bonifazius-Türme, Mainz, (Germany), 08 May-07 June 2015

THE GOOGLE TRILOGY selected for the Net Art section of Luoghi Comuni Festival

Altamura (BA), (Italy), May 2015

THE CAPTCHA PROJECT chosen as Jury Selection for the 18th Japan Media Arts Festival

National Art Center, Tokyo (Japan), 4-15 February 2015

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Invited to exhibit THE ITALIAN JOB n.2 – An-Archiving Game at the WIDGET ART GALLERY curated by Monica Bosaro and Emma Stanisic

Online Exhibition, 17 December 2014 – 17 January 2015

MNEMODRONE – CHAPTER 2 selected for Refest, Media Arts Festival, curated by Billy Clark

+ Giving a talk for The Invisible View: Surveillance Technologies & the rest of us

CULTUREHUB, (New York), 21-23 November 2014

Schermata 2014-11-18 alle 18.53.24

TRANSICONMORPHOSIS included in the ongoing project MEDinART, curated by Vasya Hatzi

Vesalius Continuum + Fabrica Vitae International Exhibition (Zakynthos, Greece), 4-8 September 2014

 The Night of The Researcher (Athens, Greece), 16 October 2014

Andreas Vesalius 500th Birthday Symposium (Copenhagen), 18 september 2014

University of Ghent, 1 November 2014

Fabrica Vitae exhibition, St. Louis University +  Emory University (Atlanta, USA), 26 February – 05 March 2015

My article “TRANSICONMORPHOSIS,” published in Leonardo, The Journal of the International Society of the Arts, Sciences and Technology, (MIT Press)

Sixth special issue. vol.47, no.4, 2014. (eng)

Leonardo Journal Logo

TRANSICONMORPHOSIS selected for ACTING IN TRANSLATIONexhibition at SIGGRAPH 2014, curated by Basak Senova, works selected by Barak Senova, Mona Kasra, Amit Zoran, Kate Armstrong, Cezanne Charles and Mushon Zer-Aviv

+ Giving a talk: Technological Error, Power and Metamorphosis, for Art Gallery Talks at the Vancouver Convention Center

Vancouver, (Canada), 12-14 August 2014


THE GOOGLE TRILOGY selected for “WE. THE ENEMY” exhibition at EUROPEAN MEDIA ART FESTIVAL (EMAF), curated by Hermann Noering

Kunsthalle Osnabrück (Germany), 23 April – 25 May 2014

MNEMODRONE – CHAPTER 1 selected for AIOP – Art In Odd Places 2014: FREE, curated by Juliana Driever & Dylan Gauthier

New York City (US), 9-12 October 2014

Invited to present images of THE GOOGLE TRILOGY – 1. Report a Problem for the educational art project Photofil, part of TRACE(s) Festival Des Arts Numeriques, in collaboration with l’Inspection de l’Éducation Nationale.

Médiathéque Léon Alègre Bagnols-sur-Cèze (France), 15 May – 3 June 2014

THE SHAPE OF INFORMATION WHEN NOBODY’S LOOKING included in the online gallery of: D-ART, 18° International Conference – Information Visualisation iV and CGIV, 11° International Conference – Computer Graphics, Imaging and Visualization, curated by Anna Ursyn

Université Paris Descartes, (France) + Nanyang Technological University, (Singapore) 15-18 July 2014 + 6-8 August, 2014

THE GOOGLE TRILOGY – 1. Report a Problem selected for CURRENTS 2014 – The Santa Fe International New Media Festival, curated by Parallel Studios

Santa Fe (US), 13 – 29 June 2014

currents 2014

My article about “The Sicilian Family” published in MNEMOSCAPE Magazine

Edited by Elisa Adami and Alessandra Ferrini, first issue, 2014, pp.160-165


DIGITAL PAREIDOLIA selected for BEEP BOOP BOP, curated by Leah Brown and Peter Symons 

FATVillage FL (US), The Projects, 29 March – 26 April 2014


My project THE FAMILY RE-CODED was selected for Make Things Happen, a partecipatory project by Christine Wong Yap, exhibited at Social in Practice: The Art of Collaborationcurated by Deb Willis and Hank Willis Thomas

Nathan Cummings Foundation, 21 March – 15 October and NYU Tisch School of the Arts Department of Photography galleries, 15 October – 28 November 2014, (New York)

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Selected for e m b a r r a s s m e n t _ p a r t y curated by Marii Nyröp; sponsored by the Five College Digital Humanities Project and the Andrew W. Mellon Foundation

Online Residency Program, 2-28 February 2014


Athens GA (US), 20-22 March 2014

THE GOOGLE TRILOGY – 1. Report a Problem + 3.The Driver and the Cameras featured in ECHO BACK. Figure di Interferenza curated by Stefano Coletto and Giulia Bini

Venice, (Italy), Jarach Gallery, 14 December 2013- 24 January 2014

TRANSICONMORPHOSIS selected for EMOJI Art & Design Show curated by Fred Benenson, Julia Kaganskiy, Mercedes Kraus, Zeshan Malik & Dale Kim, Zoe Salditch, Jenna Wortham, Will Zweigart and Kelly Reeves,  Andrea Rosen & Lindsey Weber

New York, (USA), Eyebeam Art and Technology Center, 12-14 December 2013

Co-presentation of TRANSICONMORPHOSIS with fito_segrera

Parsons The New School for Design, New York (USA), 9 December 2013 


THE GOOGLE TRILOGY – 3.The Driver and the Cameras selected for INTERNET&TACOS curated by INTERNET&TACOS

Hildesheim, (Germany), Space for digital culture and Internet politics, 23-30 November 2013

A Glitched Definition of Glitch, featured in A Linking Book catalogue of exhibition A Linking Park, Curated by Marta Barbieri / Bruno Barsanti / Lucrezia Calabrò / Sara Dolfi Agostini / Alessandra Ferlito / Valeria Mancinelli / Chiara Nuzzi / Marta Papini / Stefania Rispoli / Gabriele Tosi; with contributions of: Riccardo Benassi, Alessandra Donati and Joseph Nechvatal

Turin, (Italy), Fondazione Sandretto Re Rebaudengo, 23 October – 26 January 2013

DIGITAL PAREIDOLIA selected for PRISM Break Up, Curated by Heather Dewey-Hagborg, Ramsey Nasser and Open Culture

New York, (USA), Eyebeam Art and Technology Center, 4-12 October 2013

THE GOOGLE TRILOGY – 1. Report a Problem and 3. The Driver and the Cameras selected for Autonomies, Curated by NAPON – Institute for flexible cultures and technologies

Novi Sad, (Serbia), Museum of Contemporary Art Vojvodina, 7-28 November 2013

Country on FireDrone and Online-Offline selected for participation in UPLOAD.gif, curated by NewHive and GrayArea; works selected by Cara Buccifero, Mat Dryhurst, Catherine Miller, Olof Mathe, Josette Melchor, Willa Koerner, Ceci Moss and Kara Q. Smith

San Francisco, outdoor urban exhibition + workshops, 11 to 13 October 2013


THE MONEY COMPLEX selected for MON3Y as an 3RRR0R | MON3Y.US, curated by Vasily Zaitsev

Online exhibition,, from 23 September 2013

Presentation of PONTE PIRATA, Site specific installation curated by Monica Bosaro and commissioned by Claire Tancons and Cake Away for FAR FESTA – Nuove Feste Veneziane, Corteo de Casteo II

Visual Knowledge Laboratory, Prof. Claire Tancons, Iuav University of Venice, (IT), 16 July 2013

THE GOOGLE TRILOGY – 1. Report a Problem selected for VIDEO ART FESTIVAL MIDEN, Street Views section curated by Gioula Papadopoulou.

Screenings in Amfeias’ square, Historic Center of Kalamata and at CAMP (Contemporary Art Meeting Point), Athens (GR),  4 to 6 July 2013

THE GOOGLE TRILOGY – 3.The Driver and the Cameras selected for COLLISION19: COmpress/DECompress, guest curated by Stephanie Dvareckas, works selected by: William Tremblay, Georgina Lewis, Mark J. Stock, Rob Gonsalves and Stephanie Dvareckas,

Boston, (USA), Boston Cyberarts Gallery, 14 June to 27 July 2013

THE MONEY COMPLEX selected for Economics + The Immaterial, Run computer, Run. Curated by Nora O Murchú, GLITCH festival.

Dublin, (IR), RUA RED, 25 May to 13 July 2013

THE SICILIAN FAMILY in OP3NR3PO Glitch Moment/ums, coded by and developed by Joseph ‘Yølk’ Chiocchi & Nick Briz

Furtherfield Gallery, London, UK, online archive, from June 2013

THE GOOGLE TRILOGY – 1.Report a Problemcurated by Tamara Lai

Wander Web TV, online video gallery, from June 2013

Selected for Far Festa / Nuove Feste Veneziane. Curated by Cake Away and Claire Tancons, opening of the 55th International Art Exhibition of La Biennale di Venezia and 43 Festa de San Piero de Casteo,

Venice, (IT), Site specific interactive installation: 25 June to 30 June 2013

THE SICILIAN FAMILY selected for Lapsus – Winner of Second Prize, Curated by Marinella Paderni, works selected by Elena Ceratti, Maritin Breindl and Silvio Wolf.

Florence, (IT), fsm gallery, Fondazione Studio Marangoni, 16 May to 15 June 2013


DIGITAL PAREIDOLIA selected for Mediterranea 16 Young Artists Biennial – Errors Allowed. Curated by Charlotte Bank, Alessandro Castiglioni, Nadira Laggoune, Delphine Leccas, Slobodne Beze/Loose Associations, Marco Trulli, Claudio Zecchi.

Ancona (IT), Mole Vanvitelliana, 6 June to 7 July 2013


Zia Anna from THE SICILIAN FAMILY selected for FONLAD – Digital Arts Festival. Curated by IC Zero Association, Videolab and Cooperative Castles Theatre, in collaboration with WAC (Web Art Center) and Space for Arts, Media & Peformances.

Coimbra, (PT), UAVM Virtual Museum, 27 April to 6 July 2013


May 2013: New Website On AirSe