[ARTICLE]

Harvard University News

“Conceptual Artist: How technology shapes what we know—and the questions we ask”
by Paul Massari, 5 April 2023 (eng)

[SOURCE | PDF | ARCHIVED]

[BOOK CHAPTER]

Immersioni. Arte contemporanea e realtà virtuale

“Nel corpo di un altro” and “Performer con il casco”
by Modena, Elisabetta. Milan: Joahn e Levi Editore, 2023 (ita)

[ACADEMIC PAPER]

VCS: Visual Culture Studies
“Lending the face. Lazy Sunday by Emilio Vavarella”
by Modena, Elisabetta in VCS: Visual Culture Studies, (#5 Il volto nell’era digitale), Mimesis Edizioni, 2023, pp. 77-94 (eng)

[PDF | SOURCE]

[EXHIBITION REVIEW]

L’altra forma delle cose

“Re/Presentation di Emilio Vavarella alla Gallleriapiù”
by Emilia Angelucci, 13 march 2023 (ita)

[SOURCE | ARCHIVED]

[MA THESIS]

NABA – Nuova Accademia di Belle Arti

“Emilio Vavarella: Esseri Umani, Tecnologia e Memoria”

 by Amico, Chiara. Missing the Signal. MA Thesis in Fashion and Textile Design. NABA: Nuova Accademia di Belle Arti, Advisor: Andrea Cammarosano, 2023, pp-122-142. (ita)

[PDF]

[INTERVIEW]

The Parkview Museum

“Emilio Vavarella: Unpredictability of Technological Power”

in Bio Art (ed. by Camilla Latini, Maurice Xu and Xiadi Sun). Published by the Parkview Museum Beijing – Singapore, 2023. (chi-eng)

[ACADEMIC PAPER]

Zeusi: Linguaggi contemporanei di sempre
“Flussi di immagini, detriti di dati, forme d’esistenza, spazi di mediazione e proiezione nell’epoca della (im)materialità digitale”
by Riccio, Gianluca. in Zeusi: Linguaggi contemporanei di sempre, Issue n.16: Flusso, Forma, Fabbrica, Summer 2023. (ita)

[VIDEO]

ArtITude
“Lorenzo Balbi presents Emilio Vavarella”
beIT, campaign promoted by ITA (Italian Trade Agency) and Ministry of Foreign Affairs and International Cooperation. (ita)

[VIDEO | SOURCE | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“Un artista della domenica”
Curatorial text for “THE ITALIAN JOB n.3: Lazy Sunday” by Elisabetta Modena, 2022. (eng)

[PDF | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“Catch Me if You Can”
Curatorial text for “THE ITALIAN JOB n.3: Lazy Sunday” by Sofia Pirandello, 2022. (eng)

[PDF | PROJECT]

[INTERVIEW]

piano b. Arti e culture visive
“Intervista a Emilio Vavarella”
by Sofia Pirandello, University of Bologna, Department of the Arts, vol. 6, n.1, 2021. (ita)

[PDF | PROJECT (1) | PROJECT (2)]

[CURATORIAL TEXT]

L’altra forma delle cose

“AAAS47692 / Picea Abies”
Curatorial text by Ilaria Bonacossa, 2022. (ita)

[PDF | PROJECT]

[ESSAY]

PALM / Jeu de Paume
“Nouvelle Visions du Vivant: Animal Cinema”
by Emilio Vavarella, June 2022 (fra-eng)

[SOURCE (fra) | SOURCE (eng) | ARCHIVED (fra) | ARCHIVED (eng)]

[EXHIBITION REVIEW]

Exibart
“L’altra forma delle cose’: Emilio Vavarella alla Fondazione Zegna, Valdilana”
June 2022  (ita)

[SOURCE | PDF | PROJECT]

[EXHIBITION REVIEW]

Juliet
“The Breathing of a Code / Il respiro di un codice”
by Piermario De Angelis, June 2022  (eng – ita)

[SOURCE (eng) | SOURCE (ita) | PDF (eng) | PDF (ita) | PROJECT]

[BOOK]

postmedia books
“La fotografia come medium estensibile”
By Mauro Zanchi, May 2022 (ita)

[PROJECT]

[EXHIBITION REVIEW]

Artslife
“Memoria vegetale come materiale pulsante: una grande mostra di Emilio Vavarella”
By Flavinia Severini, 20 May 2022 (ita)

[SOURCE | PROJECT]

[ESSAY]

Mousse
“Identity between Biological and Digital Codes”
By Sabine Himmelsbach, 26 May 2022 (eng)

[SOURCE| PDF | PROJECT]

[EXHIBITION CATALOG]

CYFEST 13 International Media Art Festival
Cyland Foundation, St. Petersburg, Russia, pp, 52, 124. (rus – eng)

[PROJECT]

[BOOK]

Nelle storie. Arte, cinema e media immersivi
Modena, Elisabetta. Carocci Editore, June 2022, p. 125

[PROJECT]

[ACADEMIC PAPER]

Visual Culture Studies
“Lending the Face / Prestare il volto”

by Elisabetta Modena, in VCS n.3, Mimesis Edizioni, 2022. (ita – eng)

[PROJECT (1) | PROJECT (2) | PROJECT (3)]

[EXHIBITION REVIEW]

Man in Town
“L’altra forma delle cose: la nuova installazione di Emilio Vavarella a Casa Zegna”

by Rosamaria Coniglio, 1 July 2022. (ita)

[PROJECT | SOURCE | PDF]

[EXHIBITION REVIEW AND INTERVIEW]

ARTEMORBIDA TEXTILE ARTS MAGAZINE
“L’altra forma delle cose / The Other Shape of Things”

by Barbara Pavan, n.8, July 2022. (ita-eng)

[PDF (ita) | PDF (eng) | PROJECT]

[PROJECT REVIEW]

La Repubblica
“L’algoritmo dell’arte, al Madre l’installazione di Emilio Vavarella”
by Renata Caragliano e Stella Cervasio, in La Repubblica. 30 May 2022, pp.8-9. (ita)

[PROJECT | PDF]

[PROJECT REVIEW]

Exibart
“12 ore in soggettiva: la reatà virtuale di Emilio Vavarella alla Casa degli Artisti”
7 Gennaio 2022. (ita)

[PDF | PROJECT ]

[MFA THESIS]

University of British Columbia
“The symbolic potential of form, material, and objects” by Rylan Broadbent, Thesis in Visual Arts, Advisor: Aleksandra Dulic, University of British Columbia, Canda, 2022. (eng)

[PROJECT]

[EXHIBITION REVIEW]

Artforum
“Critics’ Picks: Emilio Vavarella”
Article by Veronica Santi (trans. by Marguerite Shore). August 2021. (eng)

[SOURCE | PDF | PROJECT]

[BOOK CHAPTER]

Uncertain Archives. Critical Keywords for Big Data
Goriunova, Olga. “Stand-In”
Book edited by by Nanna Thylstrup et al. Cambridge, Massachusetts: MIT Press, 2021. pp. 485-493. (eng)

[BOOK | PROJECT]

[EXHIBITION REVIEW]

ATP Diary
“L’arte come messaggera di possibilità. Emilio Vavarella in mostra ad Arthub, Shanghai”
Elena Bordignon talks with Davide Quadrio, 12 Jan 2021. (ita)

[SOURCE | ARCHIVED | PROJECT]

[EDITORIAL ESSAY]

On Immersion
Julia Yezbick, Rachel Yezbick, and Emilio Vavarella
SENSATA: A Journal for Experiments in Critical Media Practice, No. 7, Jan 2021. (eng)

[SOURCE | ARCHIVED]

[ESSAY]

ATP Diary
“Fotografia e oltre. Pensare l’immagine nell’infosfera”
By Marisa Prete, 25 January 2021. (ita)

[SOURCE | ARCHIVE]

[BOOK CHAPTER / INTERVIEW]

Avanti e Indietro
“Conversazione con Emilio Vavarella”
Conversation between Raffaele Gavarro and Emilio Vavarella, Imola, Italy: Manfredi Edizioni. (ita)

[forthcoming]

[FEATURED]

Switch Magazine
“Emilio Vavarella”
January 2021. (ita)

[SOURCE | PROJECT]

[BOOK CHAPTER]

Animals
“Does visual language limit our view of the natural world?”
Book by Henry Carroll. NYC: Abrams Books, 2021 (eng)

[PDF | PROJECT]

[INTERVIEW]

Juliet
“Arte, tecnologia ed errori. In conversazione con Emilio Vavarella”
Interview by Manuela Valentini in Juliet. 3 May 2021 (ita)”

[SOURCE | ARCHIVE]

[EXHIBITION REVIEW]

ATP Diary
“Emilio Vavarella – rs548049170_1_69869_TT (The Other Shapes of Me): Sourcecode | Gallleriapiù, Bologna”
by  Guendalina Piselli, 10 Jun 2021. (ita)

[SOURCE | ARCHIVED | PROJECT]

[INTERVIEW]

Zirartmag
“Il rapporto tra essere umano e tecnologia | Intervista a Emilio Vavarella”
by Marika Farina, 12 Jun 2021. (ita)

[SOURCE | ARCHIVED | PROJECT]

[ARTICLE]

us/them/yours
“Riutilizzo e appropriazione delle immagini digitali”
by Luca Fossa, May 2021. (ita)

[SOURCE | ARCHIVED | PROJECT]

[EXHIBITION REVIEW]

Juliet
“Emilio Vavarella. rs548049170_1_69869_TT (The Other Shapes of Me)”
by Emanuela Zanon, 21 Jun 2021. (ita)

[SOURCE | ARCHIVED | PROJECT]

[PRESS]

Mousse
“Emilio Vavarella “rs548049170_1_69869_TT (The Other Shapes of Me): Sourcecode” at GALLLERIAPIÙ, Bologna”
July 2021. (eng)

[SOURCE | PROJECT]

[EXHIBITION REVIEW]

Exibart
“Emilio Vavarella, Sourcecode – Gallleriapiù”
By Vincenzo D’Argenio, 3 July 2021. (eng)

[SOURCE | ARCHIVED | PROJECT]

[MY CONTRIBUTION]

Sculpture Network
“Sculpting Beyond Sculpture”
July 2021. (eng)

[SOURCE | ARCHIVED | PROJECT (1) | PROJECT (2) | PROJECT (3) | PROJECT (4)]

[INTERVIEW]

Split Tooth Media
“RIFF 2021 Q&A: Emilio Vavarella’s ‘Genesis’ (2021)”
interview by Robert Delany, August 2021. (eng)

[SOURCE | ARCHIVE | PROJECT]

[EXHIBITION CATALOGUE]

Noemata
“Undocumented events and object permanence”
Exhibition catalogue by James Hutchinson, 2021. (eng)

[SOURCE | PDF | PROJECT]

[CRITICAL ESSAY]

Espoarte
“L’immagine anantropica. Sguardi senza occhi della postfotografia”
by Roberto Lacarbonara, n.114, Speciale Fotografia, 2021. (ita)

[PDF | PROJECT]

[NEWS]

Critical Media Practice
“Emilio Vavarella presents his CMP research in a solo show at GALLLERIAPIÙ”
September 3rd, 2021. (eng)

[SOURCE | ARCHIVE | PROJECT]

[MA THESIS]

Lodz Film School
“Animal Cinema” in Zwierzęca perspektywa w dokumencie przyrodniczym (“Animal perspective in a document of nature”

by Karolina Kajetanowicz, Poland, 2021, pp.47-51 (pol)

[MA THESIS]

Università La Sapienza
Le altre animali nell’opera di Art Orienté Object (The Other (she)animals in the Art Orienté Object)

by Silvi, Martina, Department of History, Anthropology, Religion, Art, Spectacle. Lettere e Filosofia, Università La Sapienza, Roma, Italy, 2020-21. (ita)

[ARTIST BOOK]

rs548049170_1_69869_TT
Edited by Vavarella, Emilio, Mele, Paolo and Claudio Zecchi.
MOUSSE Publishing: Milan, 2020. (ita-eng)

[BOOK | PROJECT]

[BOOK CHAPTER]

Error, Ambiguity, Creativity: A Multidisciplinary Reader
Vavarella, Emilio. “On Counter-Mapping and Media-Flânerie: Artistic Strategies in the Age of Google Earth, Google Maps and Google Street View”
Book edited by Sita Popat and Sarah Whatley, Palgrave Macmillan, 2020 (eng).

[BOOK | PDF]

[INTERVIEW]

Doppiozero
“Glitch: la verità nell’errore. Conversazione con Emilio Vavarella”
Interview by Mauro Zanchi and Sara Benaglia, 5 July 2020. (ita)

[SOURCE | ARCHIVED | PDF]

[INTERVIEW]

ATP Diary
“Nuove ipotesi di realtà. Intervista con Emilio Vavarella (New hypotheses of reality: interview with Emilio Vavarella)”
Interview by Elena Bordignon, January 2020. (ita-eng)

[SOURCE | ARCHIVED | PDF]

[PROJECT REVIEW]

ATP Diary
“MNEMOSCOPIO di Emilio Vavarella: un’installazione d’arte pubblica”
by Irene Angenica, March 2020. (ita)

[SOURCE | ARCHIVED | PDF | PROJECT]

[CRITICAL TEXT]

Artslife – Fotoromanzo
“Emilio Vavarella: arte, errori e tecnologia. Una costante messa in discussione”
by Andrea Tinterri, May 2020 (ita)

[SOURCE | ARCHIVED | PDF]

[PROJECT REVIEW]

ATP Diary
“rs548049170_1_69869_TT (The Other Shapes of Me) | Un progetto di Emilio Vavarella”
by Elena Bordignon, 10 July 2020. (ita-eng)

[SOURCE | ARCHIVED | PROJECT]

[INTERVIEW]

Exibart
“Digitale Off Limits: intervista a Emilio Vavarella”
Interview by Maria Chiara Wang, July 2020. (ita)

[SOURCE | ARCHIVED | PDF]

[INTERVIEW]

Digicult
“Thought is my Main Medium. Interview with Emilio Vavarella | Il pensiero è il mio medium principale. Intervista con Emilio Vavarella”
by Giada Totaro, July 2020. (ita-eng)

[SOURCE (ita) | SOURCE (eng) | ARCHIVED]

[INTERVIEW]

Loosenart
“Glitch: The Truth in the Error. A Conversation with Emilio Vavarella”
by Sara Benaglia and Mauro Zanchi, August 2020. (eng)

[SOURCE (eng) | PDF | ARCHIVED]

[EXHIBITION REVIEW]

Artribune
“Emilio Vavarella in mostra nel Salento estremo”
by Lorenzo Madaro, August 2020. (ita)

[SOURCE (ita) | PROJECT (1) | PROJECT (2)]

[EXHIBITION REVIEW]

ATP Diary
“Dall’identità alle geografie artigianali: un progetto di Emilio Vavarella a Gagliano del Capo”
by Lorenzo Madaro, August 2020. (ita)

[SOURCE (ita) | ARCHIVED | PROJECT]

[INTERVIEW]

Artribune
“Tessitura, memoria e tecnologia. Intervista a Emilio Vavarella”
by Cecilia Pavone, September 2020. (ita)

[SOURCE (ita) | ARCHIVED | PROJECT]

[INTERVIEW]

R+
“Intervju: Emilio Vavarella | Interview: Emilio Vavarella | Organ Vida”
by Tena Razumović Žmara, September 2020. (hrv-eng)

[SOURCE (hrv-eng) | ARCHIVED | PROJECT]

[CRITICAL TEXT]

EAI Endorsed Transactions on Creative Technologies (European Union Digital Library)
Costa, F: “To be or not to be – a data set. Art, technology and identity in the new informational order”
vol. 7, Issue 22, pp. 1638-48. (eng)

[PDF]

[BOOK CHAPTER]

Fasten Your Seatbelt. Arte, critica e contemporaneità
Biasini Selvaggi, Cesare. “Mondi alternativi e nuove tecnologie. L’ibridazione arte-scienza nell’era delle tecnologie immateriali dell’informazione”
Metronom Books (Modena, Italy), 2020, pp.15-72. (ita)

[PDF | PROJECT (1) | PROJECT (2)]

[MANIFESTO]

Futurological Congress – Transart Festival
“AI Manifesto”
by Natalia Fuchs; Peter Kirn; Chris Salter, Emilio Vavarella and Moises Horta Valenzuela. Bolzano, Italy, 2020. (eng)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

E/C Journal of the Italian Association for Semiotic Studies
“Glitch. Semantica dell’enunciazione computazionale”
by Federico Biggio, No. 30: From Language to Semiotic Productions. The enunciation: the image and other semiotic forms, 2020. (ita)

[PDF | PROJECT]

[EXHIBITION CATALOGUE]

Recalculating. Computing Territories and their Analog Actuators / Ricalcolo. Di territori computanti e dei loro attuatori analogici.
“Emilio Vavarella: Alcune riflessioni personali su Google Mapping / Some Personal Thoughts on Google Mapping”
Curated by Davide Bevilacqua, 2020, pp. 16-31 (ita-eng)

[CATALOGUE | PROJECT]

[EXHIBITION REVIEW]

Exibart
“Ricalcolo: a Gorizia, una mostra sul miraggio della perfezione tecnologica”
January 2020. (ita)

[SOURCE]

[MA THESIS]

Università Ca’ Foscari Venezia
“Alternative Spaces: una riflessione storico-economica sugli spazi indipendenti dell’arte in Italia”
by Giorgia de Giampaulis. Advirsor: Cristina Baldacci, 2020. (ita)

[PDF | PROJECT (1) | PROJECT (2)]

[BOOK]

Mapping of Arts Integration within Enterprise 
Report of the EU H2020 Research Project Artsformation:
Mobilising the Arts for an Inclusive Digital Transformation
by Fiona McDermott and Christian Fieseler, Artsformation, 2020, p.39. (eng)

[PDF | PROJECT ]

[ACADEMIC / PHD DISSERTATION]

Brno University of Technology
“DIY Technologies in Digital Sculpture” by Dušan Váňa, Advisor: Michal Gabriel, Faculty of Fine Arts – Sculpture Studio, Czech Republic, 2020. (cze)

[PROJECT]

[ACADEMIC / MA THESIS]

Universiteit Utrecht
van Voorst, A. De mens-machine en het antropocen. MA Thesis, Kunstgeschiedenis, Universiteit Utrecht, The Netherlands, 2020. (nld)

[PROJECT REVIEW]

La Foresta. Itinerari nell’arte contemporanea
“Un impero è caduto”
Review of “Animal Cinema” by Andrea Tinterri, La Foresta n.1, Nuova Editrice Berti, 2019. (ita)

[PDF | PROJECT]

[INTERVIEW]

Juliet
“Emilio Vavarella – Interdisciplinarità artistica”
Interview by Emanuela Zanon, Magazine n. 192, apr/mag 2019. (ita)

[PDF | SOURCE]

[EXHIBITION REVIEW]

Afterimage: The Journal of Media Arts and Cultural Criticism
“Exhibition Review: All I Know Is What’s On The Internet”
by Harriet Riches, vol. 46 no. 1, March 2019, pp. 47-52. (eng)

[SOURCE]

[PRESS COVERAGE]

ATP Diary
“Ramdom a Gagliano del Capo, Lecce: fare e vivere di cultura e arte”
Interview by Elena Bordignon. 21 November 2019. (ita-eng)

[SOURCE]

[PROJECT REVIEW]

Artslife
“Arte e digitale: Alexa, facciamo un’opera”
October 2019. (ita)

[SOURCE | PROJECT]

[EXHIBITION REVIEW]

Artribune Magazine
“Low Form”
by Lorenzo Taiuti, print version, #47, Gennaio-Febbraio 2019. (ita)

[PROJECT REVIEW]

Balloon Projects
“Art+b=love(?)!”
by Anna Papale, 2019. (ita)

[SOURCE | PDF | PROJECT]

[NEWS]

CMP – Blog
“Emilio Vavarella awarded prestigious Italian Council award”
July 2019. (eng)

[SOURCE | PROJECT]

[INTERVIEW]

Exibart
“Non lasceremo l’intelligenza artificiale agli informatici”
Double interview by Federico Bomba to Salvatore Iaconesi and Emilio Vavarella. n.106, pp.66-67. (ita)

[PDF | PROJECT]

[EXHIBITION REVIEW]

FAD Magazine
“Low Form(s) when in Rome”
by Giulia Trojano, 2019. (eng)

[SOURCE]

[EXHIBITION REVIEW]

Il Corriere della Sera
“Al MAXXI di Roma la prima mostra sull’intelligenza artificiale”
by Giulia Cimpanelli, 2019 (ita)

[PRESS COVERAGE]

Il Manifesto – Alias
“Emilio Vavarella”
Print edition, 9 November 2019. (ita)

[PROJECT]

[EXHIBITION REVIEW]

Il Sole 24 Ore
“La simulazione digitale dà vita al Simrealismo”
Printed version, by Luca De Biase, 2018. (ita)

[PROJECT REVIEW]

Man in Town
“Art Verona highlight: Amazon’s cabinet of curiosities di Emilio Vavarella”
by Lorenzo Sabatini. (ita)

[SOURCE | PROJECT]

[PROJECT REVIEW]

Popula
“The Faces of Google Street View”
by Sophie Haigney, 2019. (eng)

[SOURCE | ARCHIVED | PROJECT]

[EXHIBITION REVIEW]

Spectate
“Интернет животных. Спор вокруг (A conversation around Animal Internet)”
by Ivan Streltsov, November 2019. (rus)

[SOURCE]

[EXHIBITION REVIEW]

The New Scientist
“All I Know is What’s on the Internet review: The shocks don’t work”
print edition, by Lydia Nicholas, 2019 (eng)

[BA Thesis]

Leeds Art University – BA Photography
“What Can Machine Readable Photography Teach Us About Artificial Intelligence?”
by Thomas Griffiths, Advisor: Philip Welding, Leeds, UK, 2018/19. (eng)

[MA Thesis]

Università Cattolica del Sacro Cuore – Storia dell’arte
“L’uso dell’intelligenza artificiale nelle opere artistiche interattive”
by Alessandra Van Zwam, Milan, Italy. (ita)

[MA Thesis]

Accademia di Belle Arti Roma – Comunicazione e valorizzazione del patrimonio artistico
“New media art, blockchain e mercato” (titolo provvisorio)
by Eugenia de Francesco, Roma, Italy, 2019. (ita)

[ACADEMIC PAPER]

Carnet recherche du LESA – Laboratoire d’Etudes en Sciences des Arts (EA 3274)
“Images en tr@nsit territoires et médiums”
by Arnaud, Jean, Damien Beyrouthy, Christine Buignet, Anna Guilló, Bruno Goosse, et al., Aix-Marseille Université, 2019. (fre)

[PDF | PROJECT]

[ACADEMIC PAPER]

Représentations, Mapping Mobility – Cartographies en mouvement
“Google Street View: Digital Mapping, Glitching and Social Documentary”
by Lisa FitzGerald, Université Grenoble Alpes, July 2019, pp. 95-107. (fre)

[PDF | PROJECT]

[ACADEMIC PAPER]

Politics of the Machines: Art / Conflict – Proceedings of POM Beirut 2019
“The deception of an infinite view – exploring machine vision in digital art”
by Linda Kronman 2019, PP. 70-77. (eng)

[PDF | PROJECT]

[MA THESIS]

University of Ljubljana
“Napaka kot transformativna metoda” (Error as a transformative method)
by Nej Trampuž, MA Thesis in Fine Arts and Design, 2019. (slo)

[WRITTEN CONTRIBUTION]

Low Form. Imaginaries and Visions in the Age of Artificial Intelligence
Vavarella, Emilio. “What is it like for a computer bot to be a computer bot?” and “Visual Essay”
Catalogue of exhibition at MAXXI – Museo nazionale delle arti del XXI secolo, CURA Editions, 2018 (ita-eng).

[PDF | PROJECT]

[WRITTEN CONTRIBUTION]

Robot Love: Can We Learn From Robots About Love?
Vavarella, Emilio. “Interview with a Drone”
Catalogue of exhibition at Niet Normaal Foundation, 2018 (eng).

[PDF | PROJECT]

[WRITTEN CONTRIBUTION]

That’s IT! On the newest generation of artists in Italy and one meter eighty from the border
Vavarella, Emilio. “THE GOOGLE TRILOGY – COMPENDIUM: Or on the Rise of the Media-Flâneur”
Catalogue of exhibition at MAMbo – Museo di Arte Moderna di Bologna, 2018 (ita-eng).

[PDF | PROJECT]

[PRESS COVERAGE]

The Huffington Post (Italian Edition)
“Low Form, la mostra al Maxxi è un viaggio nell’immaginario surreale degli artisti di oggi”
2018 (ita)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

Challenging Corporealities: Reconfigurations between Materiality and Discursivity
Costa, Flavia. “Nuestros Datos, ¿Nosotros Mismos?” [“Our data, ourselves? Art, technology and subjectivity in the era of genetic surveillance and algorithmic governmentality”]
Book edited by Daniel López del Rincón, University of Barcelona Press, 2018 (spa).

[PDF | PROJECT(1) | PROJECT (2)]

[EXHIBITION REVIEW]

WIRED (UK Edition)
“These photos capture the invisible workers of the internet”
by Thomas McMullan, 2018 (eng)

[SOURCE | PROJECT]

[INTERVIEW]

Objects.
“Glitch, quando l’errore diventa arte. Intervista a Emilio Vavarella”
Interview by Maria Chiara Wang, 2018. (ita)
[PDF | SOURCE | ARCHIVED]

[PRESS COVERAGE]

Wired (Italian Edition)
“Low Form, l’arte al tempo dell’Ai in mostra al Maxxi”
2018 (ita)

[SOURCE]

[PROJECT REVIEW]

Il Sole24Ore (Postcinema).
“Animal Cinema”
Review by Simone Arcagni, 2018 (ita).

[SOURCE | PROJECT]

[MY CONTRIBUTION]

Am Strand: Bild und Text zur Zukunft
Vavarella, Emilio. “The Digital Skin Series and The Google Trilogy”
Winter 2017/18, n.2 (deu-eng).

[PDF | PROJECT(1) | PROJECT(2)]

[EXHIBITION REVIEW]

Atribune
“Low Form. Arte digitale in mostra al Maxxi di Roma”
November 2018. (ita)

[SOURCE]

[EXHIBITION REVIEW]

ATP Diary
“LOW FORM Imaginaries and Visions in the Age of Artificial Intelligence | MAXXI, Roma”
by Serena Schioppa, 2018 (ita)

[SOURCE]

[MA THESIS]

“The influence of digital and robotic techniques on sculpture.” (Tentative title)
MA Thesis by Bram Rinkel, advisor: Ria de Boodt).
Royal Academy of Fine Arts, Antwerp, Belgium, 2018 (eng)

[PDF]

[EXHIBITION REVIEW]

Exibart
“Il volto dell’intelligenza artificiale”
by Cesare Biasini Selvaggi, 2018 (ita)

[SOURCE]

[EXHIBITION REVIEW]

Exibart
“L’opera d’arte nell’epoca dell’IA”
by Valentina Muzi, 2018 (ita)

[SOURCE]

[EXHIBITION REVIEW]

Il Corriere della Sera
“L’intelligenza artificiale in mostra”
2018 (ita)

[EXHIBITION REVIEW]

DOMUS
“Low Form. In mostra al MAXXI di Roma le relazioni tra arte e tecnologia”
by Marco Petroni, 2018. (ita-eng)

[SOURCE (ita) | SOURCE (eng) | PROJECT]

[EXHIBITION REVIEW]

Atribune
“Low Form. Arte digitale in mostra al Maxxi di Roma”
by Lorenzo Taiuti, 2018. (ita)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

D.A.T.
“Voci digitali per desideri reali: suono e soggettività nell’epoca delle macchine parlanti”
by Domenico Napolitano, D.A.T. #2, anno II, aprile 2018. (ita)

[SOURCE | PROJECT]

[ACADEMIC PAPER]

Philosophy of Photography (Intellect)
“Chroma key dreams: Algorithmic visibility, fleshy images and scenes of recognition”
by Daniela Agostinho, vol. 9 (2), 2018, pp.131-155. (eng)

[PDF | PROJECT]

[BOOK]

222 Artisti su cui investire
“Emilio Vavarella”
Ed. by Cesare Biasini Selvaggi, Exibart Edizioni, 2018, p. 227. (ita-eng).

[ARTIST BOOK]

“Animal Cinema: A World Remaking Cinema for Itself”
Published in collaboration with GALLLERIAPIÙ, Cambridge and Bologna
2017 (eng).

[PROJECT]

[ARTIST BOOK]

RE: Animation

Part of the “RE: Animation” project.
Artist book, Cambridge, 2017 (eng).
[PDF | ISSUU | PROJECT]

[CONTRIBUTION]

Visual Communication Quarterly
“Portfolio: The Digital Skin Series”
Edited by xtine burrough, Taylor & Francis, v.23, n.3, 2017. (eng)

[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

Technoculture (Unità di Ricerca sulle Tecnoculture, Università degli Studi di Napoli ‘L’Orientale’)
“Di cosa parlano i chatbot quando parlano fra loro?”
by Federica Timeto, 2017 (ita).

[SOURCE | ARCHIVED | PROJECT]

[EXHIBITION REVIEW]

Wall Street International Magazine. 
“Re-Capture. Room (s) for Imperfection. Solo show di Emilio Vavarella”
2017 (ita).

[SOURCE | ARCHIVED]

[INTERVIEW]

ATP DIARY
“Intervista con Emilio Vavarella”
By Irene Angenica, 2017 (ita)

[SOURCE | ARCHIVED]

[SOLO EXHIBITION REVIEW]

Juliet Art Magazine
“Emilio Vavarella: RE-CAPTURE: Room(s) for Imperfection”
2017 (ita-eng).

[SOURCE (ITA) | SOURCE (ENG) | ARCHIVED]

[ACADEMIC PAPER]

Studi Culturali (Il Mulino)
“La specie è un ossimoro.”
by Federica Timeto, 2017 (ita).

[SOLO EXHIBITION REVIEW]

Artribune
“Errori e tecnologia: Emilio Vavarella a Bologna”
2017. (ita)

[SOURCE]

[PROJECT REVIEW]

Artribune
“Animal Cinema: quando dietro la telecamera non c’è l’occhio umano”
Review by Valerio Veneruso, 2017 (ita).

[SOURCE | PROJECT]

[PROJECT REVIEW]

Il Fatto Quotidiano
“Animal Cinema, quando cani, polipi, scimmie e orsi diventano registi di un film”
Review by Davide Turrini, 2017 (ita)

[SOURCE | PROJECT]

[PROJECT REVIEW]

Cinelapsus
“Animal Cinema di Emilio Vavarella”
Review by Marco Romagna, 2017 (ita)

[SOURCE| ARCHIVED | PROJECT]

[PhD Dissertation]

Internet Explorer: The Creative Administration of Digital Geography
PhD dissertation by Sheridan Coleman
School of Humanities, Department of Art, Curtin University, 2017. (eng)

[PDF | PROJECT]

[BA Thesis]

El Glitch art com a pràctica subversiva
BA Thesis in Art History by Cristina Llanas Sancho
Faculty of Geography and History, University of Barcelona, 2017. (cat)

[PDF]

[BA Thesis]

Holy Grail
BA Thesis in Media Culture, Photography by Eva-Teréz Gölin
Novia University of Applied Sciences, Jakobstad, 2017. (swe)

[PDF]

[BOOK CHAPTER]

Belgesel / Kisa Film / Video Sanati [Documentary / Short Film / Video Art]
Yetiskin, Ebru. “Bir Armagan Sanati Olarak Video: Ulus Baker’in Notlariyla Video Sanati” [Video as a Gift: Video Art with the Notes of Ulus Baker” in Belgesel / Kisa Film / Video Sanati. [Documentary / Short Film / Video Art] Ed. by Nagehan Çakar Bikiç and Ferhat Özgür. Doruk, 2017, pp. 197-222). (tur)

[SOURCE]

[ACADEMIC PAPER]

Digital Creativity

Vavarella, Emilio. “Interview with the Drone: Experimenting with Post-Anthropocentric Art Practice”
Edited by Stanislav Roudavski, Special issue on Post-Anthropocentric Creativity, Routledge, vol.27. n.1. 2016 (eng).

[SOURCE | PROJECT]

[BOOK]

Behind the Smart World: Saving, Deleting and Resurfacing Data

Vavarella, Emilio. “THE GOOGLE TRILOGY: Or How To Play With Google Street View”
Book edited by Linda Kronman and Andreas Zingerle, AMRO Research Lab, Linz, Austria, 2016 (eng).

[PDF | PROJECT]

[CURATORIAL TEXT]

Official Catalogue
“Memorie: Arte, Immagini e Parole del Terremoto in Friuli”
Text by Andrea Bruciati, Skira Editore, 2016. (ita)

[PROJECT]

[INTERVIEW]

Museo Rimodificato: Art sine Scientia nihil est
“Emilio Vavarella: The Sicilian Family”
interview by Giulia Meloni for Antoni Muntadas Visual Arts Lab at Iuav University of Venice, 2016. (ita)

[PDF]

[PROJECT REVIEW]

Neural

“The Digital Skin Series: The Stranger in my Face”
Review of “The Digital Skin Series,” Vol. 55, centrefold, 2017. (eng)

[PDF | SOURCE | PROJECT]

[CRITICAL TEXT]

Areo
“Orizzonti Mobili”
by Carlo Sala, Speciale Cultura 6, n.52, 2016, pp.158-160 (ita)

[PDF | PROJECT]

[ACADEMIC PUBLICATION]

The New Aesthetic and Art: Constellations of the Postdigital
Book edited by Scott Contreras-Koterbay and Lukasz Mirocha
Institute of Network Cultures, 2016. (eng)

[SOURCE | PROJECT]

[CURATORIAL TEXT]

Exibart
“La meglio gioventù: Azioni”
by Andrea Bruciati, 2016. (ita)

[SOURCE | PROJECT]

[PHD DISSERTATION]

Universidad del País Vasco
“Arte, hibridación y nuevas tecnologías en la sociedad de la información. La composicíon digital en la imagine como práctica artística.”
PhD Dissertation by Xabier Barrios Elcid. Facultad de Ballas Artes de la UPV Leioa, Departamento de Arte y Technología, 2015-2016. (spa)

[PDF]

[ARTIST BOOK]

fragments
Independent publication by Emilio Vavarella
NYC, US, 2015 (ita-eng)

[PDF | ISSUU | PROJECT]

[ACADEMIC PAPER]

CITARJournal – Journal of Science and Technology of the Arts


Vavarella, Emilio. “Art, Error and the Interstices of Power”
Edited by Jorge Cardoso, vol.7. n.2. December 2015 (eng).

[PDF | SOURCE]

[ARTIST BOOK]

MNEMODRONE – CHAPTER TWO

Part of the “MNEMODRONE” project, edited by Vavarella, Emilio and Daniel Belquer.
Independent publication developed for ISEA2015 – 21st International Symposium on Electronic Art, Disruption, NYC, 2015, US (eng).

[ISSUU | PROJECT]

[ARTIST BOOK]

MNEMODRONE – CHAPTER ONE

Part of the “MNEMODRONE” project, edited by Vavarella, Emilio and Daniel Belquer.
Independent publication developed for CultureHub, RE FEST: Art + Technology Festival, NYC, 2015, US (eng).

[ISSUU | PROJECT]

[PROJECT REVIEW]

Artnoise

“Un’opera creata digitalmente con immagini di opere rubate…realmente”
Interview by Lucia Longhi to Monica Bosaro about “THE ITALIAN JOB N.2” 
2015. (ita)
[PDF | SOURCE | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“ITALIANS ON THE JOB: Inside and Outside an Anarchival Impulse”
Curatorial text for “THE ITALIAN JOB n.2: An-archiving Game” by Monica Bosaro, 2015. (eng)

[PDF | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“A Question of Stealing”
Curatorial text for “THE ITALIAN JOB n.2: An-archiving Game” by Emma Stanisic, 2015. (eng)

[PDF | PROJECT]

[INTERVIEW]

GAI Giovani Artisti Italiani: Diario Web

“Il Progetto. L’Invervista. Il Resoconto”
Interview by Valeria Lacarra, 2015. (ita)
[SOURCE | PROJECT]

[EXHIBITION REVIEW]

The Japan Times
“18th Japan Media Arts Festival”
2015. (jap)

[PHD DISSERTATION]

NEW MEDIA ART EXPERIENCE: Media digitali, forme e contesti della produzione artistica contemporanea.
Doctoral Thesis in “Comunicazione e Nuove Tecnologie” by Paolo Mele, IULM University, Milan, Italy.
2014-15. (ita)

[EXHIBITION REVIEW]

KRITIKA
“Premio Francesco Fabbri per le Arti Contemporanee 2015”
2015. (ita)

[EXHIBITION CATALOGUE]

Data Improvisations
“MEMORYSCAPES”
Official catalogue VISAP’15, p.21. (eng)

[PROJECT]

[EXHIBITION CATALOG]

Catálogo 12 Bienal de Artes mediale

“Hablar en Lenguas”
Museo Nacional Bellas Artes, Santiago, Chile, pp.76-77 (eng-spa)

[SOURCE | PROJECT]

[CONTRIBUTION]

INTERARTIVE

“THE ITALIAN JOB: Original VS Copy”
Curatorial texts for “THE ITALIAN JOB n.2: An-Archiving Game” by Monica Bosaro and Emma Stanisic, n.75 Special Issue ‘Original VS Copy’, (Ed. by Lucila Vilela), 2015. (eng)

[SOURCE | PROJECT]

[PROJECT REVIEW]

WIRED Japanese edition
“Enhanced Vision”
magazine, vol.13, September 2014. (jap)

[SOURCE | PROJECT]

[CRITICAL ESSAY]

ARTFORUM
“Fair Game. Martha Buskirk On Networked Photography and Copyright”
magazine, summer 2014, vol.52, no.10. (eng)

[SOURCE | PROJECT]

[WRITTEN CONTRIBUTION]

Leonardo, The Journal of the International Society of the Arts, Sciences and Technology
“TRANSICONMORPHOSIS”
MIT Press, vol.47, no.4, 2014. (eng)

[PDF]

[WRITTEN CONTRIBUTION]

Mnemoscape Magazine: The Anarchival Impulse
“SHOWCASE: Emilio Vavarella, The Sicilian Family”
Edited by Elisa Adami and Alessandra Ferrini, 
issue#1, 2014. (eng)

[ISSUU | PROJECT | SOURCE]

[WRITTEN CONTRIBUTION]

A Linking Book

Vavarella, Emilio. “A Glitched Definition of Glitch”
Catalogue of exhibition at Fondazione Sandretto Re Rebaudengo, 2014, Turin, Italy (ita-eng).
[PDF | PROJECT]

[ARTIST BOOK]

asking about art

Independent publication edited by Vavarella, Emilio and Francesco Nordio.
Under the sponsorship of Iuav University of Venice, Italy, 2011-14. (ita)
[ISSUU]

[INTERVIEW]

EXIBART
Vavarella, Emilio. “Parola d’Artista”
2014. (ita)
[PDF | SOURCE | PROJECT]

[CURATORIAL TEXT]

THE ITALIAN JOB

“Italian Theory and The Art of Trolling”
Curatorial text for “THE ITALIAN JOB n.1: embarrassment party” by Lucrezia Calabrò Visconti, 2014. (eng)

[PROJECT]

[PRESS COVERAGE]

la Repubblica

“Quando la tecnologia è imperfetta- le foto sbagliate di Google Street View”
Review of “Report a Problem,” 
2014. (ita)
[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

DIVA – Jorunal of The Society for Art and Science

“TRANSICONMORPHOSIS”
vol.36, 2014. (jap)

[PDF | PROJECT]

[PROJECT REVIEW]

MASHABLE

“Artist Finds Beauty in Google Street View Glitches”
Press coverage of “Report a Problem” by Laura Vitto, 
2014. (eng)
[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

MAGAZINE B

“Creators: Emilio Vavarella”
Review of “Report a Problem” by Daniel Bejar, 2014, n.28, p.97. (eng)

[PROJECT]

[PRESS COVERAGE]

Courrier International – Le Monde

“Aux frontières du réel”
Press coverage of “Report a Problem,” 
January 2014. (fra)

[PDF | PROJECT]

[PRESS COVERAGE]

WIRED (Japanese Edition)

“Incredible Glitches from Google Street View”
Press coverage of “Report a Problem” by Mayumi Hirai, 2014. (jap)
[PDF | SOURCE | PROJECT]

[INTERVIEW]

Svenska Dagbladet
“Smileys kan dölja hur vi känner oss”
Interview by Jenny Danberg, 2014. (swe)
[PDF | PROJECT]

[INTERVIEW]

EXIBART
“Allons Enfant 5”
Interview by Andrea Bruciati, 2014. (ita)
[PDF | SOURCE]

[EXHIBITION CATALOGUE]

Official Catalogue
“18th Japan Media Arts Festival”
p.62, 2014. (jap-eng)

[PROJECT]

[CRITICAL TEXT]

INTERARTIVE
“The Wilderness in the Machine: Glitch and the Poetic of Error”
n.59 – Art, Politics, Technology, 2014. (eng)

[PDF | PROJECT]

[PRESS COVERAGE]

MASHABLE
“Evocative Artists Inspired by Google Street View”
2014. (eng)

[PDF | SOURCE | PROJECT]

[ACADEMIC PAPER]

Anais do VII Seminario Nacional de Pesquisa em Arte e Cultura Visual
“A flânerie virtual e os novos caminhos para a arte na cidade”
By Elaine Cristina Avezado da Trindade, Goiânia-GO: UFG, FAV, 2014, pp. 39-47. (spa)

[PROJECT REVIEW]

WIRED
 (US Edition)

“These Glitches From Google Street View Are Worthy of an Art Gallery”
Review of “Report a Problem” by Kyle Vanhemert, 
2013. (eng)
[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

WIRED (Italian Edition)

“Street View, Google abbiamo un problema”
Review of “Report a Problem” by Simone Cosimi, 2013. (ita)
[PDF | SOURCE | PROJECT]

[CONTRIBUTION]

touch.my.prints
Vavarella, Emilio. “Behind the Picture”
Edited by Aaron Brumbelow, ISSUE02, online publication, p.13, 2013. (eng)

[CONTRIBUTION]

Photomediations Machine
“The Google Trilogy”
Press coverage, 
2013. (eng)
[PDF | SOURCE | PROJECT]

[PROJECT REVIEW]

Blanc Magazine
“Report a Problem”
2013. (eng)

[PROJECT]

[PRESS COVERAGE]

The Huffington Post
“Google Street View Glitches Become Beautiful Art”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PRESS COVERAGE]

The Huffington Post
“Emoji Art Reveals The Dark Side Of The Smiley Face”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PRESS COVERAGE]

The Verge
“Celebrating Emoji: Artists Get Physical with the Classic Smiley Face”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PRESS COVERAGE]

Daily Mail
“Italian artist turns Google Street View glitches into masterpieces”
2013. (eng)

[PDF | SOURCE | PROJECT]

[PRESS COVERAGE]

Rivista Studio
“Report a problem: la mostra dei glitch di Google Street View”
2013. (ita)

[PDF | SOURCE | PROJECT]

[CONTRIBUTION]

LAB magazine
“The Shape of Information When No One is Looking & Report a Problem”
n.6, online + print publication, 2013. (eng)

[PDF]

[PRESS COVERAGE]

WIRED
“7 Cute and Clever Art Pieces Made using Emoji”
2013. (eng)

[PDF | PROJECT]

[PRESS COVERAGE]

New York Daily News
“Emoticons are state of the art at new show staged by Eyebeam Art+Technology Center”
2013. (eng)

[PDF | PROJECT]

[PRESS COVERAGE]

Flash Art
“Bevilacqua La Masa presenta la 96ma Collettiva Giovani Artisti e i Borsisti della 95ma Collettiva Giovani”
2012. (ita)

[PROJECT]

[PRESS COVERAGE]

laRepubblica D
“Giovani in mostra”
2012. (ita)

[PDF | PROJECT]

[PRESS COVERAGE]

Il Giornale dell’Arte
“Bevilacqua iperselettiva”
2012. (ita)

[PDF | SOURCE]

[EXHIBITION CATALOGUE]

Official Catalogue – 95ma Collettiva Giovani Artisti
“Emilio Vavarella”
pp.50-51, 2012. (ita)

[PROJECT]